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Tags2 couplets 2 quatrains 2 sestets 2 tercets 3 quatrains 4 tercets aabbccddeeffgg ababcdcdefefgg abbaabbacdecde abbacddceffegg Allpoetry Archer couplet Eberhart feminine rhyme gadget Heroic Crown iambic pentameter iambic tetrameter internal rhyme isosyllabic Lawrencealot lexical meter optional octave octet quatorzain quatrain refrain refrain words Reyes rhymed sestet Sonnet Redoubled standard Streambed Sutton syllabic tetrameter v8 v9 v9or Van Gorder volta 9 word-pattern
This is a sonnet form first created by Tim Weaver, aka Poeticweaver on Allpoety
The form may be penned in the meter of the poet’s choice
although iambic tetrameter is the original choice.
The defining characteristic is the rhyme pattern: aabb cdcd efef gg
The sonnet may be written with no volta but is one is chosen
it should take place at line 5 or line 13.
Death Never Splits True Love Apart
There comes a time we lose our grace
Wilted flowers in faded vase
No-one can ever take love’s place
One last embrace to plead my case
Love climbs and crumbles all the time
Though with each verse reveals the cold
Weavers of words inscribe each line
Though love divine seeks never gold
I hear your cries after I breathe
Though death has taken hold of two
There’s no true love that can deceive
So know I’m grateful I found you
Rags to bareness, with crooked spine
My lover friend your soul’s divine
© Poeticweaver – September, 2013
Meter: Iambic heptameter
Rhyme Scheme: That of any other sonnet.
Volta, That of selected sonnet form.
A Fourteener is used by some as an alternate term for sonnet.
However, poets have also used the term to mean a sonnet in iambic heptameter:
fourteen lines, each with seven iambs (fourteen syllables).
You can use the rhyme scheme of any sonnet form you choose.
The problem with the fourteener is that you could just as easily break each
line into one line of iambic tetrameter (four iambs), followed by a line of iambic trimeter (three iambs). At that point, you’re actually writing in common meter, or ballad meter.
No longer is the poem slow and introspective: it becomes a jaunty, sing-song little number.
Once we get beyond the Alexandrine ( Iambic hexamter), the lines tend to crumble into smaller sections under their own weight.
Here are some well known songs in ballad meter.
“Amazing grace how sweet the sound that saved a wretch like me.
I once was lost but now am found, was blind but now I see.”
“There is a house in New Orleans they call the Rising Sun,
it’s been the ru[in] of many [a poor] boy, and God I know I’m one.”
“I’d like to teach the world to sing in perfect harmony,
I’d like to buy the world a Coke and keep it company.”
This shouldn’t dissuade you from trying your hand at the Fourteener form,
but you should work to justify the length of the lines by filling them with imagery and beautiful figurative language.
The Highwayman (Fourteener)
When Mabel saw the highwayman, a dandy to be sure,
(his manicure was evident, his lips were freshly glossed,
his brocade vest was all bedecked with silver’s bright allure),
she wanted to be taken by this man at any cost.
“Please stop this carriage! Don’t resist!”she told her able crew.
His ribbons and his earrings were as fine as were her own.
Her bosom swelled, her breath came faster with the closer view.
She wanted naught today but this highwayman alone.
“My dearest lady, please step down. Your loveliness is such
I’ll leave the lock-box to my crew- and you shall be my guest.
Your slender waist and flowing hair excites as does your chest.
My crew seeks other treasure but it’s you I wish to touch.”
The highway man in all this time has never fired a gun.
The ladies tell their drivers, “You are not to fight or run. ”
© Lawrencealot – May 14, 2013
Note: This Fourteener is penned in the style of a Tennyson-Turner Sonnet