Ripple

This is a form created by Larry Eberhart,  aka Lawrencealot on Allpoetry.

It is similar to the Monometric form but with the additional constraint of
line-length in feet being required to match the stanza line count.

The form may be written in three modes:
First as an Augmented Ripple, were the first stanza is two lines, with each additional stanza adding one line.
Next, as a Dimishished Ripple where the first stanza contains the maximum number of lines, with each following stanza having one less, until the two line stanza concludes.

Finally the Reversing Rippled which  can begin as either of the above, and then upon reaching its normal conclusion point reverse the process until it concludes with a stanza the length of the beginning stanza.  The turning stanza is not repeated.

All stanzas are mono-rhyme, or all are blank verse.

Example Poem

[Is Coco Nuts?]    (Ripple-Reversing)

Is Coco nuts
or just a klutz?

She’s always out of breath.
All things are life or death.
I think she’s hooked on meth.

She writes graffiti on the wall
and runs half-naked through the hall
but she’s so nice to one and all
so every night a boy will call.

Each guy gets just one turn
no matter how they yearn.
Her own desire’s to learn.

I would replay
my single day.

© Lawrencealot – February 16, 2013

Visual Template

La’Tuin

The La’Tuin, a poetic form created by Laura Lamarca, consists of 4-line stanzas with an ‘abca, abca‘ rhyme scheme that is consistent throughout each stanza. Stanzas 2, 3 etc. must all follow the same rhyme sounds as the first stanza. With the first stanza being repeated again at the end of the piece (Refrain). It contains a minimum of 4 stanzas, with no maximum length limit.

A strict syllable count of 9/8/9/8 is required per stanza.
In-Depth Explanation of rhyme:

Lines 1, 4, 5, 8, 9, 12, 13, 16 etc., all rhyme – this is the ‘a’ rhyme.
Lines 2, 6, 10, 14 etc, all rhyme – this is the ‘b’ rhyme.
Lines 3, 7, 11, 15 etc, all rhyme – this is the ‘c’ rhyme.
The La’Tuin is named after A’Tuin, a giant turtle from the Diskworld series. A turtle is a symbol of Mother Earth. La is Laura Lamarca’s signature.  Rhyme scheme: A1BCA2abca…A1BCA2.

Example Poem

Many Ladies-in-Waiting   (La’ Tuin)

While wives of King Henry were waiting
Their turn to be axed or booted,
they had to abhor his penchant for
extracurricular mating.

Except for queen Kath’rine, the grating
was less, their auditions suited,
the king’s volition.  He wanted, more
of those young ladies-in-waiting.

Kath’rine loved Henry, while awaiting
her end, yet strongly refuted,
his demands.  I’m the queen, evermore!
…That seems as history’s weighting.

While wives of King Henry were waiting
Their turn to be axed or booted,
they had to abhor his penchant for
extracurricular mating.

© Lawrencealot – April 9, 2012

Visual Template

 

La’Tuin LaFemme

This form created by Lawrence Eberhart, aka Lawrencelot
It is an altered version of the La’Tuin form to facilitate feminine rhyming.
The La’Tuin, a poetic form created by Laura Lamarca, The La’Tuin is named after A’Tuin, a giant turtle from the
Diskworld series. A turtle is a symbol of Mother Earth. La is Laura Lamarca’s signature.
It contains a minimum of 4 stanzas, with no maximum length limit.
A strict syllable count of 9/8/9/8 is required per stanza.
It has abac rhyme consitent through-out the stanza.
Lines 1, 4, 5, 8, 9, 12, 13, 16 etc., all rhyme – this is the ‘A’ rhyme.
Lines 2, 6, 10, 14 etc, all rhyme – this is the ‘B’ rhyme.
Lines 3, 7, 11, 15 etc, all rhyme – this is the ‘C’ rhyme.
Therein lies it’s structural weakness. By requiring that the  9 syllable lines rhyme with 8 syllable lines,  if the poet choose iambic (or trochaic) meter it disallows a more natural and pleasing feminine rhyme.        
The improved rhyming scheme of the La’Tuin LaFemme is:
A B A2 C   abac  abac  …  AB A2 B C, (ABA2Cabac…ABA2C)
Example Poem
More Ladies-in-Waiting
The wives of Henry were all waiting
Their turn to be axed or booted
while extracurricular mating
was Henry’s favored night-time sport.
Except for queen Kath’rine, the grating
was less ironically suited,
for the others all been creating
their turns by schemings at the court.
Kath’rine loved Henry, while awaiting
her end, but strongly refuted,
his claims, yet without denigrating
him.  Majestic was her support.
The wives of Henry were all waiting
Their turn to be axed or booted
while extracurricular mating
was Henry’s favored night-time sport.
(c) Lawrencealot – April 9, 2012
Visual Template
la2lafemme

Lanturne or Lanterne

The Lanturne is a verse of 5 lines shaped like a Japanese
lantern with a syllabic pattern of 1/2/3/4/1.

Must be Centered

Example Poem

Some Lanturnes

One
Two, Three
Look at me.
What do you see?
Me.

Lit
Lantern
Summons some
Nighttime flying
Moths.

Long
leggy
lasses love
lecherous lads’
looks.

Wife
kisses
husband who
is most happy
man.

© Lawrencealot – April, 2012

 

Note I have found both spellings widely used:

lanturne = Poetscornerblog, poemhunter, Shadowpoetry
lanterne = Wikipeidia, poetrymagnumopus, poetrysoup

Lauranelle

A poetic form created by Laura Lamarca,
The Lauranelle – is a hybrid (variation) of both the Villanelle and the Terzanelle forms.

It is a stanzaic poem of 22 lines,  consisting of 6 tercets and 1 quatrain
ending with a refrain made up of lines 1 and 3.
Meter: Lines MUST be in iambic pentameter.
Rhyme scheme: A1bA2 bcb cdc ded efe fbf ggA1A2,  (A1bA2bcbcdcdedefefbfggA1A2)
Poems can either be formatted in stanzas or as a whole piece without line-spacing.

Example Poem

A Little Uncertainty Goes a Long Way (Lauranelle)

When we without a doubt accept as real
what we are told is settled fact about
most anything- we are enchained by zeal.

When pulpiteer delivers truth with clout
conditions favor comfort if you choose
a certain truth you need not think about.

Illusions pleasant though they be to use
as guideposts do not come without their cost.
Bestowed, our reason seems not just to lose.

No fact of science has proved settled long,
religion not at all.  That we don’t know
conditions maybe right- but maybe wrong

do not excuse intransigence in thought.
Mere beliefs deemed a truth worthy of war.
Absurd!  Is bellicosity now sought?

One outcome zeal promotes is hate.  The door
to human peace is open if all shout,
“Wait– I may be wrong Let us think some more.”

What one thinks is so simply may not be.
We may kill men for an absurdity.
When we without a doubt accept as real
most anything- we are enchained by zeal.

(c) Lawrencealot – June 27, 2012

Visual Template

Lauranelle

Le Jeune

The Le Jeune Form:

Invented by Barb_Brown of Allpoetry.
Three to five  six line stanzas, where each line has 5 syllables
Each stanza is 6 lines
All lines are 5 syllables
Internal mono-rhyme at syllable 2 in lines 2 and 4 throughout the poem.
The Final word in each stanza is the same word, and must rhyme with the other mono-end-rhymes.
No meter required.

–  Three to five stanzas
–  Each stanza is 6 lines
–  All lines are isosyllabic – 5 syllables
Rhyme notes with parenthetic words from example:
1.  L2 and L4, W2 (a) in all stanzas rhymes (seen, mean, deem, etc.)
2.  L2 and L4, last word (b) in all stanzas rhymes (dismay, displays, gray, etc.).
3.  L6, W3 (c) in all stanzas rhymes (ease, please, seize)
4.  L6, last word (d) in all stanzas is the same word and must rhyme with #2 above. (day)

This example should help clarify:

Now!

Of hope comes much risk,
as seen in dismay.
Are you filled with shock,
so mean, these displays?
Gather all your wits
then to ease the day.

Of being human,
what deem you of gray?
Have you had thoughts of
odd schemes meant to stray?
Waste not a moment
then to please the day.

Of the dark of night,
in dreams do you stay?
Hide not in fear there,
nor demean your ways.
Draw on courage now,
then to seize the day!

by Barb Brown

Visual Template

 

Lento

A poetic form created by Lencio Dominic Rodrigues, the Lento is named after it’s creator, taken from his first name Lencio and rhymed to Cento, an existing form of poetry.

A Lento consists of two quatrains with a fixed rhyme scheme of abcb, defe as the second and forth lines of each stanza must rhyme.  To take it a step further, but not required, try rhyming the first and third lines as well as the second and forth lines of each stanza in this rhyming pattern: abab, cdcd. (abcbdefe, ababcdcd)

The fun part of this poem is thrown in here as all the FIRST words of each verse should rhyme. There is no fixed syllable structure to the Lento, but keeping a good, flowing rhythm is recommended.

For an added challenge, one may write a four-verse Lento and call it a Double Lento, or a six-versed Lento to become a Triple Lento.

Below is an example of a Lento: (Formatting is instructional only)

Composed in winter of Two Thousand Five, (a)
Proposed by my dreams, this entire theme, (b)
Exposed now for all to write and have fun, (c)
Supposed to be easy though it doesn’t seem. (b)

Two verses of four lines each you will write, (d)
Do rhyme the beginning word in every line, (e)
Pursue to keep last rhymes in line 2 and 4, (f)
Chew your brain a little, you’ll do just fine! (e)

Example by Lawrencealot

Write a Lento

Designed in Two Thousand twelve with you in mind.
Refined to rhyme lines one and three (not required).
Aligned (also not required) but more refined,
Opined this poet.  Done because I so desired.

Write two verses of four lines each.  Be astute
right off the bat, rhyme lines two and four. They are
quite necessary, that one cannot refute.
Bright planning for first word rhyme will get you far.

© Lawrencealot – April 18, 2012

Visual Template

 

Limerick

A limerick (is):
  1. is five lines long,
  2. is based on the rhythm “da-da-DAH” (anapest meter)
  3. has two different rhymes.
  4. Lines 1, 2, and 5 have three of those da-da-DAH “feet,” and rhyme with each other.
  5. Lines 3 and 4 have two, and rhyme with each other.
So the basic form is:
da da DAH / da da DAH / da da BING
da da DAH / da da DAH / da da DING
da da DAH / da da BAM
da da DAH / da da WHAM
da da DAH / da da DAH / da da PING
Limericks can:
  1. drop the first “da” in a line, changing that foot to da-DAH (iamb).
  2. add an extra “da” or two at the end of a line IF it’s used for an extended rhyme, such as people and steeple or cannibal and Hannibal.
  3. use special fonts or characters to make a point,
A Limerick is a rhymed humorous or nonsense poem of five lines which originated in Limerick, Ireland.
The Limerick has a set rhyme scheme of : a-a-b-b-a with a syllable structure of: 9-9-6-6-9.

Limericks can also be written in AMPHIBRACH meter

– two lines of amphibrachic trimeter, two lines of amphibrachic dimeter,

and a final line of amphibrachic trimeter.

Below my visual template shows two perfectly acceptable Limerick Forms.
In the strictest sense limericks should be a single five line poem.  Currently you find many poets stringing them together as stanzas.
Example Poem

The Lady and the Hat

The Lady in the Hat

The lady was well put together
with her tats and hat with a feather
I longed so to treasure
her feminine pleasure
at my place or hers, if she’d rather.

A limerick in amphibrach meter.

With a hat with a feather in place
and a corset constricting her waist
She said, nodding at me
“Take me home if you’re free
I so need a young man to embrace. “

A limerick in anapest meter

(c) Lawrencealot – 2013

_______________________________________________-

For most of three years, that is all I had to say about the subject. During which I a learned a great deal about the permitted mechanics and devices formally allow in writing a poem in a specific meter.
Note: The following explanation is the most correct I have seen, and shows that one FOOT can easily morph into another, because headless feet, and catalectic feet are always s permitted poetic devise which denies counting syllables any validity in defining metrics.

THE STRUCTURE OF A LIMERICK
 
 
Limericks are short poems of five lines having rhyme structure AABBA. It is officially described as a form of ‘anapestic trimeter’.
The ‘anapest’ is a foot of poetic verse consisting of three syllables, the third longer (or accentuated to a greater degree) than the first two: da-da-DA. The word ‘anapest’ shows it’s own metric: anaPEST.
Lines 1, 2 and 5 of a limerick should ideally consist of three anapests each, concluding with an identical or similar phoneme to create the rhyme.
Lines 3 and 4 are shorter, constructed of two anapests each and again rhyming with each other with the overall rhyme structure of AABBA.
 
The anapest metric must show the following pattern:
(da) da DA da da DA da da DA (da) (da)
(da) da DA da da DA da da DA (da) (da)
(da) da DA da da DA (da)
(da) da DA da da DA (da)
(da) da DA da da DA da da DA (da) (da)
Meaning that you can leave off the syllables in parentheses.
But 1, 2 and 5 should match each other, and 3 and 4 should match.

Pasted from
http://whvvugt.home.xs4all.nl/Archives_TCCMB/Limericks/Structure.htmlI

I would love to give attribution, but can do no better than the URL, which belongs to a private domain, but I do thank Andrea Detriech for bringing it to my attention.

But you will note, that by paying attention to these requirements our amphibrach limerick is indeed anapestic as well.

 

Visual Templates

Anapest version

Amphibrach Version

Loose Sapphic

There are variations of the Sapphic Stanza and I have chosen the Loose Sapphic form created by Marie Marshall. The form is composed over four lines, the first three being hendecasyllabic and the fourth being pentasyllabic.

The focus is on syllabic meter rather than accentual giving the poet more room to explore poetical device and grammatical schema within the verse structure. From the creator’s own examples I have found the poems to be more vibrant and dramatic than their strictly metric counterparts.

Using ‘X’ to represent each syllable the schema of the Loose Sapphic form can be shown as thus:

X X X X X X X X X X X
X X X X X X X X X X X
X X X X X X X X X X X
X X X X X

Example Poem

Lady Bird Adrift

My intent to fly by-and-by was boosted.
I’m content to flutter by the butterfly
effect.  Some butterfly in Balboa flapped
boldly days ago.

A seagull here an eagle there added puffs
against the calm.  A heated hillside thermal
energy aggregated puff-puff forces-
calm contingencies.

I’ll leave Louise and Lester nibbling aphid
nosh, and catch this seed in transit through garden’s
wide expanse.  I may deplane any time or
merely take a chance.

I’m smarter than your average bug because a
beetle, not a bug be I.  This subterfuge
could save my life– wasps find me tasty and look
to see just me fly.

© Lawrencealot – June 26, 2012

Luc Bat

The luc bat is a Vietnamese form of poetry.
It means simply “six eight” due to its pattern of syllables per line: 6,8,6,8,6,8, etc. There is no set length to the luc bat, so it can be as long or as short as you’d like.

But what really makes this form interesting is the rhyming structure, which sounds a little complicated but is easy to grasp in practice.

The sixth syllable of every eight-syllable line rhymes with the last syllable of the six-syllable line before it, which in turn rhymes with the eighth syllable of the eight-syllable line before it. When the end of the poem is reached, the last line jumps back and rhymes with the first. In other words, the syllables go like this:

* * * * * a
* * * * * a * b
* * * * * b
* * * * * b * c
* * * * * c
* * * * * c * d
* * * * * d
* * * * * d * a
…although of course the poem can be as long as you wish.
Remember that it is always the final line of the poem which
ends in the “a” rhyme, linking it back to the beginning

Example Poem

Farewell Denied

The ship I sailed and sank
those final years, was dank by then.
I tried to save her when
all hope seemed lost.  My men put out
in boats, and with a shout
“Farewell”, I set about to save
that ship in a nearby cave.

I was not really brave; just done.
I thought it might be one
small chance for grounding run in firth.
Slight chance to find some berth
I tried for what it’s worth, but failed.

Thru all the years I sailed,
and all the sirens hailed with cheer
I never thought I hear
one close until my dear, you found
me sinking soon to drown.
“I’d love for you to down here stay
and with this sprite now play,
but death to you that way I’ll stop.”
You brought me to the top.

A mortal life you swap to free
a mortal from the sea
although you wanted me to stay
I clung to life that day,
but thoughts of you held sway since then.
I’ll leave the world of men
and dive in where back then, I sank.

© Lawrencealot – August, 2012

Author just noted on review that this poem does
not comply to specifications and will be re-rewritten.

Visual Template