Wheelchair Angel Style

Wheelchair Angel Style 
A new form of poetry created to honor 
Poet mike44  aka  Author  Michael L Schuh
Who we now know as the wheel-chair angel… 
It consists of 25 lines
Starting with head syllable count of 2/2/3/4/3/2/1/3 
to create the impression of the back of a man 
sat in his wheel chair
5/8/8/10/8/8/8/8/8/8/ these line represent the chair
Then 4/ 4/6/6/4/4 split to represent two wheels
Then a 10 syllable line to represents the ground
Content must include wheel chair. 
Created by Pat Simpson 3/10.2009

Pasted from http://the.a.b.c.of.poetry.styles.patthepoet.com/T2Z.html
Many Thanks to Christina R Jussaume for her work on the Poetry Styles site.


• The Wheelchair Angel Style is a poem that attempts to create silhouette shape of a man in a wheelchair. Found at Poetry Styles this invented verse form was introduced by Pat Simpson to honor poet, Michael L. Schuh and who suggests the content include reference to a wheelchair. It was found at Poetry Styles.

The Wheelchair Angel Style is:
○ a poem in 25 lines.
○ syllabic, 2-2-3-4-3-2-1-3 5-8-8-8-10-8-8-8-8-8-8 4-4-6-4-4 10. L20 thru L24 are split, to create the illusion of wheels.

x x
x x
x x x
x x x x

x x x
x x
x x x
x x x x x
x x x x x x x x
x x x x x x x x
x x x x x x x x
x x x x x x x x x x
x x x x x x x x
x x x x x x x x
x x x x x x x x
x x x x x x x x
x x x x x x x x
x x x x x x x x
x x ——- x x
x x ——- x x
x x x —– x x x
x x ——- x x
x x ——- x x
x x x x x x x x x x

Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=1001#wheel
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

My example
Wheels (Wheelchair Angle Style)

or diseased
stealing our
means to move about.
So they built chairs that men could push, 
then chairs that we could move ourselves.
Self-propelled wheelchairs are being
replaced by electric powered models
augmented by smart control chips
which now enable longer trips.
The chairs get better every year
with models made for all terrain
and competing in rugged sports.
Power soccer’s the most extreme.
   For men                   won’t bow
 while mind                   still works
we have                     a life to live,
 wheelchairs                      assist
   and man                   persists.
Expect science to obsolete the chair.

© Lawrencealot – October 31, 2014


The villancico hails from Spain, and is a (largely forgotten) forerunner of the villanelle. As with the villanelle, whole lines are repeated. In fact, whole couplets are repeated. There are three stanzas, and last two lines of the first and second stanzas are both repeated at the end of the third. Here’s an example, in the best possibletaste:
Ordure of the British Empire

Most frequent of our complaints
Is ignorance in the young.
Oftentimes my lady faints
When plain folk misname their dung,
But speak of otters’ spraints
And we’ll know you are sound.

On such small orthodoxies
Aristocracy is based.
Don’t know what “poo of ox” is?
You’re so common; you’ve no taste!
Waggyings of foxes –
That’s where breeding is found.

Badger’s werdrobe on the ground;
Hare’s crotels scattered around;
Wild boar’s fiants – Ha! You frowned!
You’re not gentry, I’ll be bound!
But speak of otters’ spraints
And we’ll know you are sound.
Waggyings of foxes –
That’s where breeding is found.

The rhyming scheme is quite demanding, with 6 of the 8 lines of the third stanza required to rhyme with one another. In the only other example I have seen, there is even more rhyming (so that the lines here ending in “based” and “taste” ought to rhyme with “complaints”), but I flashed my artistic licence and claimed exemption from that requirement. 7-syllable lines seem to be standard, except in the two refrains, which both use 6-syllable lines.
I haven’t seen a formal description of the villancico anywhere. Researching these obscure forms can be a frustrating business. According to various sources, the villancico is the Spanish equivalent of a madrigal, or of a carol, or primarily a musical form without lyrics. It is certainly not a verse form anyone is prepared to give an exact description of. (Except perhaps in Spanish – a language I don’t speak.) Any information would be gratefully received.
In this example, I am taking the mickey out of the vocabulary of field sports. (Not for the first time. I also have a poem called Table Manners – more popularly known as Frushing the Chub – which uses a selection of Elizabethan carving terms.) Back in the days of Empire, there was a specific word for virtually every attribute or behaviour of any animal species of interest to the aristocracy. The best known of these are probably the nouns of assemblage – murder of crows, exaltation of larks, murmurationof starlings, dopping of sheldrake, etc. Harmless pieces of trivia for pub quizzes nowadays, but once these were potent shibboleths – anyone who didn’t know the proper word for a hare’s droppings (see above) or the sexual antics of foxes (“clickitting”) was plainly not “one of us”. An authoritative book on the subject was written byEdward, Duke of York, first cousin to Henry IV.    

Pasted from http://www.volecentral.co.uk/vf/villancico.htm
My thanks to Bob Newman for his years of work on the wonderful Volecentral resource.

Specifications restated:

A stanzaic poem of 20 lines, 2 sestets plus and octet
Syllabic: The first four lines of each stanza are 7 syllable, the remainder 6 syllables
Rhymed: ababAC1 dedeDC2 ccccAC1DC2.
Refrains indicated by the Capital letters

My example

Let Us Prey  (Villancico)

A gift must have some appeal
before the intent can count.
Man can’t eat a godly spiel –
so take that into account.
What you give should be real,
It should fulfill a need.

An offer of warm French fries,
or a tattered coat to wear
may mean more to homeless guys
than assurance that God cares.
if your gift satisfies
Then you’ve done a good deed.

Gifts with strings attached are fraud
they’re for you – and that is flawed.
Such giving I can’t applaud;
even in the name of God.
What you give should be real,
It should fulfill a need.
if your gift satisfies
Then you’ve done a good deed.

© Lawrencealot – October 31, 2014

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Verso-Rhyme is an invented verse form introduced by L. Ensley Hutton and written without punctuation except for an exclamation at the end. Therefore, I can only assume that the poem should be written on a subject the poet feels emphatically about. 

The Verso-Rhyme is:
○ an octastich, a poem in 8 lines.
○ syllabic, 6-4-6-4-6-4-6-4 syllables per line.
○ rhyme, xaxbxaxb. x being unrhymed.
○ usually right margined.


Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=1882#verso
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

My example

Mother Sez (Verso-Rhyme)

I’ve tried to teach you son,
to give a darn.
Your puppy chewed my shoes
that were non-skid.
This is a house and it
is not a barn.
Put down the toilet seat!
Don’t slam the lid!

© Lawrencealot – October 30, 2014

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Tuanortsa is a Palindromic poem. A palindrome reads the same from front to back as from back to front. Palindromes in a single word would be level, radar, eye, civic, rotor etc. 

A palindromic poem need not be quite as tricky as turning a word inside out. The lines can simply be mirrored so that the sequence reverses order and the lines read the same from bottom to top as they do from top to bottom. This was presented to me as a poetry exercise. Why it was called Tuanortsa, astronaut spelled backward, makes no sense to me because the word it isn’t a palindrome. Be that as it may, there was only one requirement of the exercise, write a ‘poem’ that makes sense when read, line by line, from bottom up as well as from top down. There should be no fewer than 6 lines but there may be more. Meter and rhyme are at the discretion of the poet.

Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=1918
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

NOTE: The single reason that I classified this separately from the Palindrome is that it posits a minimum number of six lines.

Related forms: Palindrome, Trick Poetry

My example

Plan to Have Been (Tuanortsa)

Determine early your life’s goal
Since most of us may choose our role
Leave evidence that you were here.
Give offspring’s offspring cause to cheer.
Disdain the taking of the dole.
Give offspring’s offspring cause to cheer.
Leave evidence that you were here.
Since most of us may choose our role
determine early your life’s goal.

(c) Lawrencealot – October 29, 2014


A Sevenling is a poem of seven lines with similar structure to this poem by Anna Akhmatova:[1]

He loved three things alone:
White peacocks, evensong,
Old maps of America.

He hated children crying,
And raspberry jam with his tea,
And womanish hysteria.

… And he married me.[2]

Structure: Lines one to three should contain three connected or contrasting statements, or a list of three details, names or possibilities. This can take up all of the three lines or be contained anywhere within them.
Lines four to six should similarly have three elements (statements, details, names, or possibilities) connected directly or indirectly or not at all.
The seventh line should act as a narrative summary or punchline or an unusual juxtaposition.
While there are no set metrical rules, because of its form, some rhythm, meter and/or rhyme is desirable. The visual structure of the form is two stanzas of three lines, with a solitary seventh line last line. Titles are not required. The original convention was to titled the sevenling: “Sevenling (followed by the first few words in parentheses)”, but the form has evolved to other title conventions including dropping “Sevenling” completely from the title.
Sevenling should be mysterious, offbeat or disturbing, giving a feeling that only part of the story is being told.

History: Roddy Lumsden invented the form about ten years ago[when?] as part of a teaching exercise.[citation needed]
Poets like Sherman Alexie[3] and Richard Garcia have published the form.

Pasted from http://en.wikipedia.org/wiki/Sevenling

Sevenling (In Darkness)

In darkness all things secret hide.
Moody phantoms, naked truths and lonely tears
thrive amid the dark place of my mind.

In sunlight all things happy rule —
blooming flowers, clear blue skies and singing birds.
But still, with light, the dark is more defined —

a faceless shadow keeps pace with me.

Pasted from <http://www.writing.com/main/view_item/item_id/1854775-Sevenling-In-Darkness>

My example

My Wife (Sevenling)

She liked cooking,
and hunting,
and quilting.

She disliked pretense,
sexual predators,
and shopping –

And she loved me.

Blues Stanza

The Blues was born in 19th century from the African American experience expressing “lamentation and complaint”. Originally written for music, with the 3rd and 7th notes of the scale flattened, the poem should capture the same minor tone. The Blues confronts life head on, often expressed in sarcasm, wit and humor. Langston Hughes (1902 – 1967) is credited with making the Blues as much a part of American literature as it is a part of American music. It is poetry “created on the fly”, as the blues singers did, making up lyrics on the spot. . . . A statement is made, then repeated to give the poet a moment to come up with a rhyming response. There you have the blues stanza.

The Blues Stanza is:
• stanzaic, written in any number of triplets.
• accentual verse with 4 to 6 stresses a line, or whatever. The syllable count is 12 or close enough. You can see, there is lots of room to wiggle here. The meter changes to iambic pentameter when the stanza is used in the Blues Sonnet.
• structured. L1 makes a statement, L2 repeats L1 with minor variation, often a beat or two short, and L3 responds, with a “climatic parallel” to the first 2 lines. (a culminating contrast or extension of the statement) In effect you are writing a rhyming couplet posing as a triplet.
• rhymed, rhyme scheme aaa, bbb, ccc, ddd.
• adapted by some poets like Hughes to break the lines roughly in half, making a six line stanza.
• infused with a theme that comes from complaint or a lament, suffering, struggle, real life experiences. It meets life head on, no nonsense, often with sarcasm and with humor, a wisdom born from pain.
• borrowed from blues singing, making up the “lyrics on the fly”.

I’m goin’ down to de railroad, baby,
———————————-Lay ma head on de track.
I’m goin’ down to de railroad, babe,
———————————-Lay ma head on de track –
But if I see de train a-comin’,
—————————- I’m gonna jerk it back.
———————— Langston Hughes in The Big Sea 

Burn Out Blues by Judi Van Gorder

The sun on Sunday morning calls, come and play.
the morning’s sun calls, come out and play,
but first, I have a Sunday duty to pay.

But that sun sure tempts me to skip and stray,
yes I sure am tempted to skip and stray,
why am I bound to fit church in my day?

Hard part is, I believe it’s the right thing to do,
it’s hard, but believe it’s the right thing to do,
I’ve lived it, I’ve taught it and loved it too.

Still I don’t want to sit through a ritual mass,
no, don’t want to sit through a long boring mass,
would rather be sunning, bare toes in the grass>

I doddle and fiddle and arrive at mass late,
messing around, slip in the door late,
so I stand in the back and kneel on the slate.

The gospel is one that I don’t want to hear,
the news is something I don’t want to hear,
but I know the message is meant for my ear.

“Do you love me?” He asks, “then tend my flock”,
He asks it twice more, “then tend my flock”,
I’ve done that for years, Lord, we need to talk.

I’ll ponder His words and write out my thought, 
still pondering His word and writing my thought, 
there’s more in His message, more to the plot

So I’ve gone to church, and now have my day,
gone to church and He gave me my day,
but also a message I need to weigh.

Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=619

My thanks to Judi Van Gorder for years of work on this fine PMO resource.


Related forms: Brevette, Blues Stanza, Culminating Verse, Diminishing Verse,Trio, Triplet

Triplet (Classic)

The Triplet has its roots in 16th century England. The classic triplet is a three line, mono-rhymed verse with meter at the discretion of the poet. It can be written as a stand alone poem or can be stanzaic, written using any number of triplets.

The word “triplet” is commonly interchanged with tercet. Since respected sources give definitions of both the triplet and the tercet that are exactly the same, similar and sometimes contradictory, I felt there should be a clearer separation of the two. One distinction I found unanimous was that authorities invariably used the term triplet when referring to a monorhymed three line stanza. Therefore, in order to be consistent and clear throughout this research, I use the term “tercet” whenever referring to any three line poem or stanza except when that poem or stanza is monorhymed, then I use “triplet”. It seems to me the best way to distinguish between the terms, although I could probably just say tercet is Italian and triplet is English for the same definition but then why in English would we use the word tercet at all?

John Dreyden, English poet and critic said of the use of the triplet, “they bound the sense”, I’ve read he used the stanza, writing a rhymed, iambic pentameter couplet followed by a rhyming Alexandrine line but have so far been unsuccessful in finding an example. The contemporary Blues Stanza would fall under the umbrella of the classic triplet.

A classic triplet is:
• a 3 line poem or stanza.
• monorhymed, aaa bbb.
• metered at the discretion of the poet. 

Upon Julia’s Clothes by Robert Herrick (1591-1674)
When as in silks my Julia goes,
Then, then, methinks, how sweetly flows
The liquefaction of her clothes.

Next, when I cast mine eyes, and see
That brave vibration, each way free,
O, how that glittering taketh me!

• Culminating Verse is a subgenre of the classic triplet. It is in reality simply a classic triplet using a type of word play, increasing the (number of) initial consonants of the rhyme word from line to line. eg. air / care / stare.

Smog by Judi Van Gorder
The thick LA air
gives me a care
when it stings my stare.

Diminishing Verse is also a subgenre of the classic triplet. It is a classic triplet using a type of word play that reduces the (number of) initial consonants of the rhyme word from line to line. eg. that / bat / at.

Found by Judi Van Gorder
I’m not all that,
can’t swing a bat,
but I know where I’m at.

Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=650
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

Related forms: Brevette, Blues Stanza, Culminating Verse, Diminishing Verse,Trio, Triplet

My example

Upon Julia’s Smock  (Parody of Upon Julia’s Clothes)

When wearing nothing but a smock,
And walking toward me with that walk
I know now’s not the time to talk.

© Lawrencealot 

Massed Transit (Culminating Verse)

When the thong compresses us
when we’re crowded on the bus
it’ still best that we not fuss.

(c) Lawrencealot

Gourmet (Diinishing Verse)

I’m pleased to see you cleared your plate.
I so enjoy a sated mate
who seldom cares what he just ate.

(c) Lawrencealot






• The Trio, is an invented form that I found at Poetry Base, attributed to Sol Magazine. It is a nonce triplet, meaning the form was created for a particular poem. No articles or punctuation are used and the poem has as few words as possible. The only example given is a classic triplet. This seems more like a word exercise to me than poetry. This is very similar to the Brevette. 
The Trio is:
○ a classic triplet, 3 mono-rhymed lines. However I think it would be just fine to break ranks and write an unrhymed tercet as long as the progression was clever.
○ written in as few words as possible with no articles or punctuation.
— (sorry)-jvg


Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=1197#trio
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

Related forms: Brevette, Blues Stanza, Culminating Verse, Diminishing Verse,Trio, Triplet

My examplerio


Triname or Triple Acrostic

Triname Acrostic is a combination Compound Acrostic and a Mesostich. It was introduced by Patricia A Farnsworth-Simpson. The title should be the same as the word spelled in the left margin.

Triname Acrostic is a combination Compound Acrostic and a Mesostich. It was introduced by Patricia A Farnsworth-Simpson. The title should be the same as the word spelled in the left margin.

The Triname is:

  • strophic, the number of lines written at the discretion of the poet.
  • metered at the poet’s discretion.
  • unrhymed.
  • composed with words spelled out by the first letter at left margin, the center and the right margin of the poem.

Sweet Kitty

Sx xx Kxx xP
Wxx xI xxU
Ex T xxxR
E xxxTxx xR
Tx Y xxxS

Pasted from http://www.poetrymagnumopus.com/index.php?/topic/2192-invented-forms-from-poetry-styles/
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

Since There was no poem provided with the message characters above, I decided to write one.

Sweet Kitty Purrs

Sometimes a Kitten wakes me uP
With a soft Intimate miaoU
Edging closer To where I slumbeR
Earning thus The permit to purR
Then I say Yes! I love those soundS

© Lawrencealot – October 28, 1024

According to the specs, the title ought be “Sweet”.




3a We’ll go on?
3a Soon begun
12b a new Mayan calender called B’aktun 14
12b hidden in Guatemala, more future unseen
12c in Xuitun excavation-seven thousand years
12c 2.5 million days to quell some folks fears.
3d End of fuss?
3d Still end us?
3e But not all
3e you recall
12f relied on just Mayan calendar prophesy
12f Dire times for our evil crimes some others see–
12g Nostradamus, Bible, Native Americans.
12g Angry Earth disasters causing all short life spans
3h in some way
3h on some day.

Created by Jacqueline Sturge
1. Any number of octaves or 8-line stanzas
2. Syllable Count: 3-3-12-12-12-12-3-3
3. Rhymed: a-a-b-b-c-c-d-d. Continue e-e-f-f-g-g-h-h etc

© 2012 Linda Varsell Smith “Word-Playful” www.RainbowCommunications.com

• The Tigerjade is an invented stanzaic form introduced by Jacqueline Sturge. In researching the name, I found Tiger Jade the name of a freighter in the Bengal Tiger line. The name could also refer to jewelry, a jade tiger.

The Tigerjade is:
○ stanzaic, written in any number of octaves.
○ syllabic, 3-3-12-12-12-12-3-3 syllables per line.
○ rhymed, aabbccdd eeffgghh etc.

Pasted from http://www.poetrymagnumopus.com/index.php?/topic/2192-invented-forms-from-poetry-styles/

My Example

Choose a Treat

Choose a Treat (Tigerjade)

Please abide;
step inside.
The treats you offer are enticing, yummy, yet
your hands are full of goodies and your little pet.
Your fingernails are lovely, but that pot is black;
please set it down then come inside and scratch my back.
When you’re done
we’ll have fun.

Costume’s bold!
Are you cold?
I’ll warm you up in ways that you might contemplate,
and effortlessly, I think you’ll reciprocate.
I’ll scratch your back as well as anywhere you itch.
This night is Halloween – you know you can bewitch.
Please come in.
Let’s begin.

© Lawrencealot – October 28, 2014

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