Double Ballad Stanza

Double Ballad Stanza is a verse form which basically doubles the ballad stanza. However, unlike the ballad it need not tell a story. It can simply be an observation. 

The Double Ballad Stanza is:
• An octastich made up of 2 quatrains.
• metric, accentual, (The ballad utilizes an accentual line and the stress is what counts not the meter, alternating 4 stress, 3 stress.)
• rhymed,rhyme scheme of xa(b-b)axcxc (x being unrhymed) with an internal rhyme in the 3rd and expletive line.

Tell All the Truth but Tell it Slant by Emily Dickinson 1872

Tell all the Truth but tell it slant— 
Success in Circuit lies 
Too bright for our infirm Delight 
The Truth’s superb surprise 
As Lightning to the Children eased 
With explanation kind 
The Truth must dazzle gradually 
Or every man be blind-

Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=1887
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

My example

A Park-Like Street

A Park-Like Street (Double Ballad Stanza)

When closed to buses, truck and cars
sometimes our city streets
are quite festive and bathed in light
for folk out buying treats.
Each footfall is a dampened tread
that falls on powdered snow.
The quiet bades a friendliness
that sets mens’ hearts aglow.

© Lawrencealot – December 3, 2014

Visual template

Double Ballad Stanza

Double Refrain Chant Royal

Double Refrain Chant Royal

Type:

Structure, Metrical Requirement, Repetitive Requirement, Rhyme Scheme Requirement, Isosyllabic

Description:

This is another one I made up. But I ask you, why shouldn’t I? This is a Chant Royal with an extra refrain. To accommodate the extra refrain without messing up the Chanso requirements, I changed the rhyme scheme a mite. It just seemed to need doing.

Attributed to:

“The Dread Poet Roberts”

Origin:

American

Schematic:

ababcCcdedE
ababcCcdedE
ababcCcdedE
ababcCcdedE
ababcCcdedE
CdedE

Where C and E are the two refrains.

Rhythm/Stanza Length:

11

Line/Poem Length:

60

To contact us, e-mail thegnosticpoet@poetrybase.info.

Copyright © 2001-2013 by Charles L. Weatherford. All rights reserved.

My thanks to Charles L. Weatherford for his years of work on the wonderful Poetrybase resource.

 

 

My example

 Ludwig II

Ludwig II – The Fairy Tale King

Of all the kings that I have ever known,

it’s thee that I would swear allegiance to.

Much of your youth you had to spend alone,

a real child prince with a child prince’s view.

If you be mad, dear prince, let all kings be.

Lasting beauty rose from your youth’s fantasy.

Announced by some as “The Fairy Tale King”,

(A minister looked down his nose and sniffed.)

For history, you did a wondrous thing.

Medieval memories – a worthwhile gift.

 

Ascended at age eighteen to the throne

Within two years his kingdom days were through

when Prussia claimed Bavaria for its own.

Bavaria was merged without much ado.

If you be mad, dear prince, let all kings be.

You touted theater, the arts, and poetry

which seems to have a proper kingly zing.

You gave the European arts a lift.

You gave chivalry back its song to sing.

Medieval memories – a worthwhile gift.

 

The seeds of Wagner’s operas were sown

in your young heart, and there they always grew.

His move into your castle was renown,

His reputation spread because of you.

If you be mad, dear prince, let all kings be.

You sent envoys around the world to see

designs chosen to give your castles zing.

Through all the projects you yourself would sift;

your love of legend touched most everything.

Medieval memories – a worthwhile gift.

 

Your ministers would often gripe and moan

“Castles are extravagant ! Skip a few !”

although the fortune spent was just your own.

The use of public funds you did eschew.

If you be mad, dear prince, let all kings be.

Our spirits elevation brought you glee.

Local builders worked building every wing,

thus giving the economy a lift.

The splendid structures often made them sing.

Medieval memories- a worthwhile gift.

 

With royal purse and funds obtained by loan

for two decades you kept employed a crew;

where artisans had clearly set the tone.

No wonder locals did and do love you.

If you be mad, dear prince, let all kings be.

Too many think “This bounty’s all for me,”

and tightly onto privilege they will cling.

Your projects spoke of anything but thrift

Yet each year now, fine revenue they bring.

Medieval memories – a worthwhile gift.

 

If you be mad, dear prince, let all kings be.

What happiness would such a focus bring

if politics took a paradigm shift

Nueschwanstein is your your monument my King.

Medieval memories – a worthwhile gift.

© Lawrencealot – December 5, 2014

Picture credit: Wikipedia Commons

 

Visual Template

Double Refrain Chant Royal

Doha

The Doha is a Hindi stanzaic form employing a rhyming couplet with long syllabic lines.The Doha is also used in Urdu verse. This form steps away from the Hindi tradition of romantic verse and is often written as didactic or used in longer narrative verse.

The Doha is:
• stanzaic, written in any number of couplets.
• syllabic, each line is made up of 24 syllables and is paused by caesura at the end of the 13th syllable, making the line two phrases of 13 and 11 syllables. The couplet can be arranged as a quatrain breaking the line at the caesura.
• commonly used for proverbs and/or for longer narratives or didactic poetry.

Vanquished in the Night by Judi Van Gorder

The starless night drops down into the silent forest,
———– small creatures scurry to secure safe haven.
Peerless predators with eyes accustom to the dark,
———— stalk their weaker prey with guile until craven.

Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=1216
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

My example

Commercial Consternation (Doha)

“I want that Daddy”, yells the child, at the TV screen.
After every segment, comes another ad!
With money short, it’s known that the child will do without.
The marketing must work, but it makes me mad.

© Lawrencealot – December 3, 2014

A visual template

Doha

Dithyramb

Greek Verse, the beginnings.

Dithyramb is a genre of “frenzied” lyric in praise of wine and revelry. It is named for the god of revelry Dionysus. The dithyramb was originally composed to be sung by a chorus. The frame is at the discretion of the poet although the theme should be fitting with the history of the genre. Alternating verse and chorus are often used and it is common to find the genre written in Anacreontic Couplets.

Alexander’s Feast by John Dryden (1639–1701) Chorus III
Bacchus’ blessings are a treasure,
Drinking is the soldier’s pleasure:
Rich the treasure,
Sweet the pleasure,
Sweet is pleasure after pain.

Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=1248\
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

Liberty Port (Dithyramb)

When navy ships pull into port
All the bars receive support
For sailors drink and then cavort –
If lucky, a female escort.

Despite orders to comport
themselves as a descent sort
a fond delight in drinking
suppresses normal thinking
and many end up on report.

So heft that mug
and take a toke
we’ll chug-a-lug
until we’re broke.

© Lawrencealot – December 3, 2014

Distorted Diablo

• Distorted Diablo is an invented verse form that plays with the biblical devil’s number 666 and distorts by flipping the middle number upside down to get 696. Created by Pat Simpson, I think the content is meant to follow the theme of the numbers.
The Distorted Diablo is:
○ stanzaic, a sixain, a 9 line stanza, a sixain, in that order.
○ syllabic, both sixains are written with 6 syllables per line and the 9 line stanza is written with 9 syllables per line.
○ rhymed at the discretion of the poet.

Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=2192#distorted
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

My example

The Devil’s in the Details (Distorted Diablo)

Both the meter and rhyme
are at your discretion.
Avoiding both’s no crime
‘cept for my obsession.
I try rhyme all the time –
an obvious confession.

Depending up on the time of year
my energies ebb and flow a bit.
The whiteness of winter’s a delight
to think about while I’m cozy here
and don’t have to venture out in it
but can sit inside, ponder and write.
In springtime when roads and sky are clear
you’ll find me hiking with briar pipe lit
in the day and near my desk at night.

The devil I can’t blame,
my muse I cannot thank
when neither mete nor frame
appears in my word bank.
Yet efforts are less lame
when my verse is not blank.

© Lawrencealot – December 2, 2014

Dipodic Quatrain

Dipodic Quatrain is a quatrain written in podic or folk meter with 2 stressed syllables per line.
• Podic Verse or folk meter is a measure of verse simply based on the number of heavily stressed syllables in a rhymed line. The number of unstressed syllables are not considered. It is a hold over from Alliterative verse of the Anglo Saxons but instead of the irregular strophic verse, stanzas and rhyme are employed, something learned from the Normans.
The Dipodic Quatrain is:
• stanzaic, written in any number of quatrains.
• podic, written with 2 heavy stresses per line with no regard to the number of unstressed syllables.
• rhymed, rhyme scheme either abab cdcd etc. or aabb ccdd etc.

Crisis by Judi Van Gorder

Trouble is here
folks out of work
lost career
no pork.

Money tight
rolling up sleeves
taxes bite
family cleaves.

Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=669#dipodic
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

My attempt

Sacrifice for Rhyme 

Any time
I pen a verse
And use bad rhyme
It makes it worse.

Heaven knows,
my thoughts aren’t deep,
attempts at prose
puts folks to sleep.

I think dipodic
quatrains could
be hypnotic
if written good.

© Lawrencealot – December 2, 2014

Dibi

This is an accentual form created by Mary Lou Healy, writing as Mlou on Allpoetry.Com.

Even fewer poets have the training and awareness to carry off a seamless accentual form than have that ability when working with an established meter. So I have constructed the template for her original verse “The Last Hurrah”, as alternating iambic trimeter and dimeter, which it technically is.

The Last Hurrah

The Last Hurrah

Oh, that last defiance
in face of fate,
the red glove flung down
at winter’s gate! There is no mute compliance,
no patient wait.
Dressed in gypsy gown,
fall holds fete.

Brief, so brief the hour
to scintillate,
to make the canvas sing,
to resonate.
Every leaf a flower
to captivate
the heart, to hold ’til spring…
Spring, don’t be late!

Restated specifications
The Dibi is:
Stanzaic, consisting of two or more octains.
Metered, consisting of alternating lines of iambic tetrameter and iambic trimeter.
Rhymed: abcbabcb. I quite enjoyed the feminine a-rhyme, but Mary Lou avows it is optional.

Visual Template

Dibi

My example

When Wrong is Right(Dibi)

I’m sometimes wrong I guess
It must be true,
because I don’t agree
at times with you.
Although I must confess
my doubts accrue
logic’s an absentee;
from your own view.

But even if you’re wrong
things work out right
between the two of us
if I’m contrite.
Correct won’t bang a gong
and bring delight
worth raising any fuss
with you at night.

© Lawrencealot – December 1, 2014

Décima Italiana

• The Décima Italiana appeared in 18th century Spain. There are 2 variations, the first true to the original 8 syllable 10 line Décima with the only variable the rhyme scheme. In Italian verse, this variation is called the Décima Rima. The 2nd variation is written in Italianate lines with a variable rhyme scheme. 

The Décima Italiana is:
○ stanzaic, written in any number of 10 line stanzas.
○ syllabic, 8 syllables per line, or in Italianate lines (mixed or irregular 11 and 7 syllable lines).
○ rhymed, ababc : dedec , the c rhyme must be oxytone or masculine rhyme, L5 must be end stopped. Variation: rhymed and paused at the discretion of the poet as long as a oxytone rhyme is placed at the end of the pause and end of the line. Something like aaab : bccabb or ababbc : aabc etc 

Pasted from <http://www.poetrymagnumopus.com/index.php?showtopic=1029
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

My example

Unburnished (Décima Italiana)

Oh, let me die, and thus improve
the way you mother seemed to do.
Her every fault did death remove
when now I read you Facebook view.
We all get polished when we die.

She was not always there I think,
for you the way your words recount.
I hope my faults will also shrink
when this frail life I shall surmount. 
In death I’ll be a real grand guy.

© Lawrencealot – December 1,2014

Visual template

Decima Italiana

Descort

Descort, Occitan – (Old French= discordant), is a genre of poetry that is written with differing verse forms utilized from strophe to strophe. Each strophe is structured in a minimum of 2 elements, the verse forms chosen can be recognized verse or nonce forms. Elements such as line number, meter, rhyme, and language are all factors.

Discordant Thoughts by Judi Van Gorder

“Time in a bottle”
is a phrase racing
through my brain
for days.

If we could truly capture time
and stuff it into hollow glass
then mount it in a frame of brass,
I think it might just be a crime.

What would now become?
Would the moment pass?
Why is this just dumb?

all years, months and days
winter, spring, summer and fall
“time in a bottle”

Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=698
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

My example

Enchanting Permitted

Enchanting Permitted (Descort)

I can see, hear, and touch you in my heart.
I can sense clearly darling, you’re a tart.

Although you’re armed, and pretty by the way,
I know you’ve charmed a kitty that protects.
He’ll let no beast or human call you prey
He’ll let you play with those that he respects.

I have been charmed, I am disarmed, I’m not alarmed.
I can not tell If there’s a spell you’ve cast so well
but should that be it’s fine with me for then I’ll see
the chosen view as meant by you which I’ll hold true.

© Lawrencealot – November 30, 2014