Eight-ette

Eight-ette

Eight-ette: 8 lines.
Syllable Count: 1-2-3-4-5-6-7-8
Rhyme Scheme: a-b-a-b-c-d-c-d
Variation of rhyme scheme: a-a-b-b-c-c-d-d.
Display Centered

http://www.rainbowcommunications.org/velvet/forms/
My Thanks to Linda Varsell Smith for her contributions above.

Specifications restated:
The Eigth-ette is:
A poem of 8 lines
Syllabic: 1/2/3/4/5/6/7/8
Rhymed: ababcdcd or aabbccdd
Displayed centered on the page.

My example

Participants in SantaCon Boston 2010, a gathering of people dressed as Santa going from bar to bar, drink at the Asgard Pub in Cambridge

 

Stagger Home and Fill the Stockings (Form: Eight-ette)

 

Wait!

Please pause

for it’s late

and Santa Clause

has his rounds to make.

It’s time to leave this bar

and head for home for Pete’s sake.

You’ll have to walk. Hope it’s not far.

 

 

© Lawrencealot – December 24, 2014

 

 

Visual Template

Eight-ette

 

Ripple Echo

Pathways for the Poet by Viola Berg (1977) is a book for and by educators. Classic poetic forms as well as many invented forms which appear to have been invented as teaching tools or exercizes for use in workshops or classrooms are included. Some of these invented forms I have found in use in internet poetry communities, a testament to their staying power. On this page I include the metric invented forms found there in which appear to be exclusive to the community of educators from whom Ms. Berg drew her support. I have yet to find these in any other source. …. Whether classroom exercise or sharpening your skill as a writer, some of these forms can be fun to play with.

• The Ripple Echo is an invented stanzaic form that “begins and ends its stanzas with rhyming ripple and echo couplets”. I am not quite what that means but it sounds fun. What I am sure of is, L2 and L8 of each octave are anapestic mono meter rhyming with the previous line. This form was introduced by L. Ensley Hutton.

The Ripple Echo is:
○ stanzaic, written in any number of octaves, made up of 4 rhymed couplets.
○ metric, L1,L3,L4,L5,L6,L7 are catalectic trochaic tetrameter, L2 & L8 are anapestic monometer.
○ rhymed, rhyme scheme aabbccdd.
○ L2 & L8 are indented.

Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=1199#dionol
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

My example

Self-actualization

Self-actualization (Ripple Echo)

You have made it to the top.
       Now don’t stop.
Much more magic lives in you
more remains for you to do.
You have won, not just by might.
Actually, you’ve done things right.
Standing tall, you’re now allowed
        to be proud.

© Lawrencealot – September 21, 2014

Picture Credit” Google Images, “Congratulations”

Visual template

Ripple Echo

Pendulum

  • The Pendulum is an invented verse form that features graduated line lengths. It was created by Etta J Murphy and was first published in Calkins, Haiku Highlights (July-August 1970).The Pendulum is:
    • a poem in 8 lines, an octastich.
    • syllabic, 8/6/4/2/2/4/6/8 syllables per line.
    • rhymed, rhyme scheme aabbccdd.
My Thanks to Judi Van Gorder for the wonderful resource at PMO
My Example Poem
Put Fear AND Foolishness Astern   (The Pendulum)
We live in a contingent world
where accidents are hurled.
Things break and fall
and all
our skill
still never will
be shield against events.
I find avoidance fine defense.
© Lawrencealot – April 4, 2014
Visual Template

Strambotto

The Strambotto has three primary versions:
All are presented here.
The Siciliano,  rhymed abababab
The Tuscano,  rhymed ababccdd (preferred), abababcc,  aabbccdd
and the Romagnuolo, rhymed ababccdd
It is:
Lyrical – Written as one octave, or with the Tuscano, possibly one sestet.  It you wish to write several stanza it becomes an Ottava Rima.
Rhymed – Each with its specific pattern(s).
Isosyllabic – Each line has precisely eleven syllables.
Below are additional resources with history and added information.  At the end you will find my Visual Templates.
________________________________
Strambotto
This was an early form of Italian poetry that was set to music by composers of the frottola and madrigals of the 16th century. The poetry is set into very strict stanzas of eight lines of eleven syllables. This type of stanza is known as rispetto or ottava rima. The musical rispetto was usualy dedicated to a lady love, Aside from the fact the ottava rima had no set form length and later became Iambic it also came from literature and generally had multiple stanzas, but musical version, the strambotto was typically created with a single stanza.
There are three basic types of strambotto and they are identified by their rhyme scheme.
1. Strambotto Siciliano
It will be noted that this is similar to the Sicilian Octave, but follows the Strombotto rules and consists of eight strict hendecasyllable lines (11 syllables), and similarly for multi stanzas.
a. b. a. b. a. b. a. b. 
2. Strambotto Toscano
This form is most used for stand alone poetry, but can be used for multiple stanzas. When writing muliple stanzas (as in a song), it is usual to link each stanza by either a refrain or using the whole or part of the last line of the previous stanza as the first line of the next stanza:
a. b. a. b. a. b. c. c. 
3. Strambotto Romagnuolo
This form has the octave constructed from a Sicilian quatrain and a quatrain of two couplets. The same rules apply about stand alone poems, and multiple stanzas.
a. b. a. b. c. c. d. d
My thanks to the poetsgarret.
The Strambotto is thought to have influenced the development of the Sicilian Octave and the birth of the sonnet. The Strambotto is one of the earliest Italian verse forms and can be found in works from the 12th through the 19th centuries usually set to music. The name comes from the Occitan,estrabot which refers to sentimental and or amorous rhymes. Sources suggest the early Strambotto varied between 6 or 8 lines long however it was eventually recognized as an 8 line form holding fast to a strict 11 syllable line. Rhyme seems to be delineated by territory, Tuscan, Sicilian and Romano. The frame appears to be the same as the Ottavo Rima Stanza. However, the forms are quite different in that the Strombotto is limited to a single lyrical, octave while the Ottavo Rima is a narrative, stanzaic verse written with any number of octaves. 
 IN ADDITION THE OTTAVO RIMA may be decasyllabic LARRY
The Strambotto is:
  • lyrical.
  • an octastich, a poem in 8 lines. (When written in narrative stanzas it is better known as Ottava Rima)
  • syllabic, strict hendecasyllabic lines. In English it has been found in iambic pentameter.
  • rhymed, most often follows the Tuscan patterns of abababcc and occasionally aabbccdd and is sometimes called Strambotto Tuscano. TheSicilian Strambottos followed the rhyme pattern of abababab and the Strambotto Romagnuolo carries a rhyme scheme of ababccdd.
My thanks to PoetryMagnumOpus
Strambotto (Sicilian)
Type:
Structure, Metrical Requirement, Rhyme Scheme Requirement, Other Requirement, Stanzaic
Description:
Hendecasyllabic lines rhymed abababab. Usually is lyrical and sentimental or amorous.
Origin:
Sicily
Schematic:
Rhyme: abababab
Meter: xxxxxxxxxxx
Rhythm/Stanza Length:
8
See Also:
Status:
Incomplete
Strambotto (Tuscan)
Type:
Structure, Metrical Requirement, Rhyme Scheme Requirement, Other Requirement, Stanzaic
Description:
Stanzas of 6 or 8 hendecasyllabic lines rhymed ababccdd (preferred), abababcc, aabbccdd, ababcc, ababab, or aabbcc. Usually is lyrical and sentimental or amorous.
Origin:
Italian
Schematic:
Rhyme:
ababccdd (preferred),
abababcc,
aabbccdd,
ababcc,
ababab, or
aabbcc
Meter: xxxxxxxxxxx
See Also:
My thanks to Poetry Base.
Example Poem
This Drink’s on Me, Err… You (Strambotto)

While I drank sociably, the crowd grew pressing
I’d come because the band was recommended.
Folks were rowdy, unfriendly, rude, depressing.
A girl approached, her lovely hand extended
“May I have your stool to sit next to my sis?”?
“Sure.?” I’d been taught manners are not hit or miss.
Her “sis” rose, gave seat to girl’s male friend (I think.)
When they danced I spilled upon their stools, my drink.

© Lawrencealot – December 12, 2013

VISUAL TEMPLATES. These show the rhyme patterns and syllable count.
                                      No specfic meter is mandated, I have shown both
                                      iambic and trochaic possibilities.

Wrapped Refrain Style 2

Wrapped Refrain (Form No. 2), created by Jan Turner, carries some similar aspects as her Wrapped Refrain form, with further advanced techniques. It consists of 2 or more stanzas of 8 lines each, with the following set rules:

Meter: 14/14/8/8/8/8/14/14
Rhyme Scheme: aabbccdd.

Refrain rule: In each stanza, the first 10 syllables in the first line (incorporating a phrase) must be the last 10 syllables at the end of the last line (line #8).
Example #1:
Castle in the Clouds

Bavaria, you render dreams come true on hills of white.
Your castle glints through moonbeams, snowy spires in the night.
My mind says it’s just a mirage
or nature playing with collage…
that if I turn around I bet
it shall just disappear, and yet
my eyes instead see parapets that break the skyline blue,
as straight ahead, Bavaria, you render dreams come true.

Bavaria, your Disneyland is mine this very night;
it’s just as if your castle planned its setting, out of sight,
for some of us to stumble on.
But, if I blink will it be gone?
This castle you have hid so well
enchants me with its magic spell;
it lures me into fantasies en-wrapped with snowy pine.
You render dreams, Bavaria… your Disneyland is mine.

Copyright © 2009 Jan Turner

Pasted from <http://www.shadowpoetry.com/resources/wip/wrappedrefrain2.html>

My example poem:

Consumption Gumption  (Wrapped Refrain style 2)

Folks of different cultures do of course feel differently.
I’d rather have them eat a horse instead of eating me.
A measure of degree again
for horses are almost our kin.
They’re friends and assets with great worth
They’ve carried us and toiled the earth.
Man’s climb from darkness was aided by the dog and the horse.
Eat them? No, but folks of different cultures do of course

To preclude cannibalism of course I’d eat a beast
who also soon would die, but it would be a sorry feast.
Moral questions now spring to light–
Is eating sentient things alright?
Natures template seems not to care.
Strong eat the weak most everywhere.
It’s easy to eat “thoughtless” things but not our friend the horse–
unless required to preclude cannibalism of course.

© Lawrencealot – Febrary 13, 2013.

Visual Template