Trochadiddle

This form started as a nonce form written by
Michael Fantina, aka Eusebius of Alllpoetry for his poem
“Magics”

Michael is much too busy writing beautiful and entertaining poetry to be bothered with the practice of giving names to forms which he writes on the fly, often consciously or subconsciously influenced by Algernon Swinburne, from whom he thinks he might have borrowed this pattern.  Definitely he was influenced to occasionally merge two un-stressed syllables, or to add an occasional syllable deviating from a strict syllabic or accentual pattern where his creativity and mind’s ears says that it works.

Neither was Swinburne the only great to invoke this technique.  In fact is it is hard to find truly creative and expressive poets where this technique has not sometime found deployment.

I have been just learning to conform to form and pattern, and like anyone just learning, have always felt safer abiding strictly to the defined pattern of a form.

I define and name each new form that I see (and/or like in any manner at all) so that we may speak of it by name and all be speaking of the same animal when we give it a try.
My specifications:
This is a stanzaic poem, consisting of one or more sestets.
It is syllabic, each stanza being 10/10/6/5 syllables.
Rhymes: aabcbc, where the b-rhymes are feminine.
Metered subject to the following pattern:
DUM da da DUM da da DUM da da DUM
DUM da da DUM da da DUM da da DUM
da DUM da da DUM da
da DUM da da DUM
da DUM da da DUM da
da DUM da da DUM

Note: if  you write this same form beginning each of the long lines with a Spondee as did Gary Kent Spain, writing as venicebard on Allpoetry, you will have written a Spondiddle.
Original poem Magics by Eusebius

Gather the stars and the moon for a spell,
With holly and sard and an umber conch shell.
And sing to the sound of
A bell left unrung.
With a pestle ground love
Till your song is re-sung.

Call on a harlot who’s pale as the moon,
Call on her nightly, but call on her soon.
And while she is weeping,
Take one crystal tear,
And when she is sleeping
One jewel from her ear.

Gather them there near your hearth at the dawn,
Drench them with dew from the grass on the lawn,
And while it is brewing
Like some frothing sea,
You’ll soon then be wooing,
But me, only me!

© February 2014

You will see that the above poem, and the one illustrated by the visual template below, stray 0ccasionally from the specified pattern.
That is what I refer to a creative diddling around, and led me to the name of this form.

This represents a step forward in my poetic growth, as my rigidity is lessened for I realize now that poets always have this license, but can never take a knock for exercising it in competition with this form.
My example poem:
Sweet Apparition     (Trochadiddle)
Watched as the moon and the clouds seem to pose
with stars bunched so closely the Milky Way glows,
with night now becoming
invitingly cool
I heard something coming
up out of the pool.

She’s an apparition it seems at first glance
formed with perfection and sure to entrance.
Her eyes are green emeralds
but tinted with blue
her voice sweetly heralds
sweet pleasure, I knew.

“Love me tonight while we’re here all alone,
I cannot stay for this form is on loan.”
I did I’m believing,
I slaked both our thirst
and she’s not now grieving-
relieved of her curse.

© Lawrencealot – February 26, 2014

I call this a Trochadiddle
Long lines begin with a trochee and end with an iamb.
You will note that in line 2, I added an unstressed
Syllable before beginning the pattern – and also added an extra unstressed syllable mid-line,
 as I did elsewhere.  This is the diddling!
So the stressed syllables become
STARS, CLOSE, MILK, GLOWS, as though “with” were on line1.
Visual Template

Quintina

I noticed that there were two gaps in the series of Sestina-like poetry form.  This fills one of those.
Quintina  –
Keyword Requirement
Five line version of the Sestina with end-word enfolding.
Created by Lawrence R. Eberhart
Origin: USA
Schematic
12345
54231
21453
43512
35124
Envoy
12/345
Example poem
Will Google Know? (Quintina)Intelligent devices in each home,
has been a goal for Nest-they’ve led the way
with thermostats that learn their master’s wants
as actions tell them all they need to know.
Now Google bought Nest; you know what that means.

They’ve added sensors to their mining means.
What you like and frequently view they know
already. Photographs along the way
may show your house if any person wants
wants virtual travel on streets to your home.

Where you take pictures, they know by the way,
from cell-phone sensors when you leave your home,
and e-mail topic they already know
No cell or e-mail? This gives other means
to know some more about your daily wants.

They claim that privacy rules but you know
about a camel’s nose and growing wants
and Google tie-ins and just what that means.
The Nest products enhance a modern home,
providing cost-savings along the way.

If unconcerned for any one who wants
that data for less than scrupulous means
and one can spoof their own device at home
and benefit from pets another way
so sensors might not know just what they know.

Are you at home, or have you gone away?
If Google wants to know they’ll have the means.

© January 15, 2014 – Lawrencealot

Visual Template
Quintina

San Gabriel Refrain

Created by Lawrence R. Eberhart, aka Lawrencealot on Allpoetry, and named by  Doubletake on  Allpoetry….He said, “As to the name: it’s a stretch… But the repeated uneven line lengths are vaguely reminiscent of the profile of a mountain range. How about “San Gabriel Refrain”?
This form was borne of an appreciation for the ever increasingly popular Trijan Refrain created by Jan Turner. It is a little longer giving room for weightier subjects.
Like the Trijan Refrain is has three stanzas*, each having a two line refrain. Unlike the TR, it has no requirement that the first line be repeated, and the poet may choose to take his refrain from any contiguous part of either lines 1, 3, or 5.
This was revised on November 9th, 2013 to allow any number of stanzas.
There must be a refrain in both lines 7 and 8, it may be a line repeated from any of the source lines, or it may be taken from separate lines (if you have taken care to make the proper syllable rhyme).
Latest REVISON:   The REFRAINS may be contiguous syllables taken from any place in the source lines.
There shall be 6 syllables for the pentameter  version and 4 syllables for the tetrameter version.
The refrain may be repeated from just one line as in the Trijan Refrain, or it may, as in the example below be taken from any of the mandated lines.
The stanzas are syllabic: 10/8/10/8/10/10/6/6/10/10 for what I’ll call the pentameter version
and 8/6/8/6/8/8/4/4/8/8 for what I’ll call the tetrameter version .
with rhyme scheme ababccddee.
A single poem has any number of stanzas.
Any consistent meter is acceptable.
Specifications last changed on November 9 , 2013 all with the idea of increasing poets’ discretion and opportunity for creativity.
 
Example Poem
 
Cognitive Continuum (San Gabriel Refrain)
 
If we should disagree- I’m obstinate! 
You’re such a silly guy you know 
it’s wrong to pose that you are adamant 
to think that some thing must be so. 
Still, something sure must be, and working well. 
But what it is at this time we can’t tell. 
If we should disagree 
Still, something sure must be. 
But man when saying “must” is seldom right. 
Five thousand churches, all they do is fight. 
 
Now science has become so self possessed, 
constrained by those who’ve made their name, 
whose right to truth is often self-professed
and bars newcomers from their game. 
A race to skim the scum from grantors pond 
by bringing forth results of which they’re fond. 
Now science has become 
A race to skim the scum 
To publish or to perish is the song. 
and there is no real cost to get it wrong. 
 
So if the beads and cross have so far failed, 
and science is so often wrong 
with models at a loss- results derailed 
(at best just guessing, all along.)
It seems none have the right now to insist 
they know for certain what others have missed. 
So if the beads and cross 
with models at a loss 
all leave a little room for cogent doubt 
I can see options and not feel left out. 
 
© Lawrencealot – October 22,2013
Visual Template(Showing iambic pentameter version)
       and giving examples of ways in which the refrain lines might be populated.
Originally named Longer Refrain…
 
 

Barbee

This form was created by Lawrence Eberhart, aka Lawrencealot on Allpoetry  in response to a contest.
It is named the Barbee, due to the facts it is dedicated to BarbarbBP, and that it’s syllabic representation looks somewhat like a capital E.
This form was designed for IAMBIC PENTAMETER in which case all of the required rhyming is STRESSED.
It has a COUPLET rhyming pattern on the 2nd syllable of aabbccddeeffgg
and an end-rhyme CROSSED rhyming pattern of  ababcdcdefef
It is a poem of 12 lines and may be presented as the poet desires.
It is syllabic 10/10/10/6/6/10/10/6/6/10/10/10
 
Example Poem
 
Natural Transformation
 
A rose within my garden proudly grows
and shows it’s colors to all flying friends.
it sends it’s scents to bees and birds and so
attends to those whose ends
it serves while it preserves
with verve the scents its visitors like best
expressed thru pollination’s frequent swerve.
Attest now to progressed
parade of bright new shades
as trades made randomly give us a new
delight of multicolor serenades
It’s quite a pleasant gift for us to view.
© Lawrencealot – April 5, 2013
Visual Template
 
 

Flung

This form was created by Larry Eberhart, aka, Lawrencealot on allpoetry.com

Type: Stanzaic
Meter: Tetrameter or Pentameter
Presented as two or more Octaves
Rhyming pattern: ababcccc ddeeffff

If the poem is extended it should continue alternating couplet and cross rhyme
for the first quatrain of each octave.

Example Poem

What Happened to George?

“A gastropod mollusk is what I am,”
said George to his host. “And I have long found,
that being submerged (if you give a damn),
is sometimes better than up on the ground.
If I get too dry I might desiccate,
then I’d be dinner for you and your mate,
but now I can slime noxious stuff you’ll hate.
But I’ll feed you for life if you just wait.”

The beetle had thought, this slug he’d deceived.
Now he did not know what should be believed.
“The farmer’s intending a toxic plan
to kill us all– perhaps he just began.”
I need a mate who’s many rows away.
I cannot get to her within one day.
You can go fetch her, I’ll tell you the way,
Then both of us will in your burrows stay.

The beetle knew two was better than one.
If there’s an option for unending food
instead of foods poisoned– had it begun?
he’d best collaborate with George the dude.
Both slugs were omnivorous slugs you see,
So George deigned to explain how it will be.
You’ve heard tuna called “Chicken of the Sea.
Well Chicken of ground shall be Joyce and me.”

In days some thirty eggs from George’s mate.
produced the protein for the beetles plate.
The beetle got smart and let some eggs hatch.
It just meant they’d have more earthworms to catch.
The beetles Kentucky Fried Sluggets sold
like heaters in Vermont when it gets cold.
The farmers profits jumped about two-fold,
Explain? That bright slug George, he just grew old.

© Lawrencealot – March 3, 2013

This poem answers the following question by Sir Mike bike

Get me a wheelchair!” Cried the sick bug,
“For I have no legs (because I’m a slug!)
A very nice beetle all dressed in bright black,
Said “Never mind slug just jump on my back…..”

The slug (quite determined to get a free ride)
Now dumped common sense and he now dumped all pride,
He slid on the beetles back with such ease,
Said ”Take me to market as quick as you please!”

Now the beetle pretending hard to be nice,
Said “Certainly sir, there’ll be no price!”
“But first I have to visit my mum,
You can come too my little chum!”

So down it the ground where black beetles gorge,
Went poor Mr. Slug (whose name was George)
He never more was seen again…..
Pray what happened….can you explain?

Visual Template
 
 

Ripple

This is a form created by Larry Eberhart,  aka Lawrencealot on Allpoetry.

It is similar to the Monometric form but with the additional constraint of
line-length in feet being required to match the stanza line count.

The form may be written in three modes:
First as an Augmented Ripple, were the first stanza is two lines, with each additional stanza adding one line.
Next, as a Dimishished Ripple where the first stanza contains the maximum number of lines, with each following stanza having one less, until the two line stanza concludes.

Finally the Reversing Rippled which  can begin as either of the above, and then upon reaching its normal conclusion point reverse the process until it concludes with a stanza the length of the beginning stanza.  The turning stanza is not repeated.

All stanzas are mono-rhyme, or all are blank verse.

Example Poem

[Is Coco Nuts?]    (Ripple-Reversing)

Is Coco nuts
or just a klutz?

She’s always out of breath.
All things are life or death.
I think she’s hooked on meth.

She writes graffiti on the wall
and runs half-naked through the hall
but she’s so nice to one and all
so every night a boy will call.

Each guy gets just one turn
no matter how they yearn.
Her own desire’s to learn.

I would replay
my single day.

© Lawrencealot – February 16, 2013

Visual Template

La’Tuin LaFemme

This form created by Lawrence Eberhart, aka Lawrencelot
It is an altered version of the La’Tuin form to facilitate feminine rhyming.
The La’Tuin, a poetic form created by Laura Lamarca, The La’Tuin is named after A’Tuin, a giant turtle from the
Diskworld series. A turtle is a symbol of Mother Earth. La is Laura Lamarca’s signature.
It contains a minimum of 4 stanzas, with no maximum length limit.
A strict syllable count of 9/8/9/8 is required per stanza.
It has abac rhyme consitent through-out the stanza.
Lines 1, 4, 5, 8, 9, 12, 13, 16 etc., all rhyme – this is the ‘A’ rhyme.
Lines 2, 6, 10, 14 etc, all rhyme – this is the ‘B’ rhyme.
Lines 3, 7, 11, 15 etc, all rhyme – this is the ‘C’ rhyme.
Therein lies it’s structural weakness. By requiring that the  9 syllable lines rhyme with 8 syllable lines,  if the poet choose iambic (or trochaic) meter it disallows a more natural and pleasing feminine rhyme.        
The improved rhyming scheme of the La’Tuin LaFemme is:
A B A2 C   abac  abac  …  AB A2 B C, (ABA2Cabac…ABA2C)
Example Poem
More Ladies-in-Waiting
The wives of Henry were all waiting
Their turn to be axed or booted
while extracurricular mating
was Henry’s favored night-time sport.
Except for queen Kath’rine, the grating
was less ironically suited,
for the others all been creating
their turns by schemings at the court.
Kath’rine loved Henry, while awaiting
her end, but strongly refuted,
his claims, yet without denigrating
him.  Majestic was her support.
The wives of Henry were all waiting
Their turn to be axed or booted
while extracurricular mating
was Henry’s favored night-time sport.
(c) Lawrencealot – April 9, 2012
Visual Template
la2lafemme

Paulo Ludibrium Comitatu

Paulo Ludibrium Comitatu (Little Toy Train), created by Lawrencealot
      Patterned after the Paulo Comitatu.
The form consists of one or more octaves where the 1st and 5th lines
are Iambic Trimeter with and extra unaccented syllable
da DUM  da DUM  da DUM da (Technically two iambs and an amphibrach)
The remaining lines are proper Iambic Trimeter
Rhyme Pattern: xaba xcbc
Example Poem

Waiting for Her Backwoods Pilot

She sat there by the window
and watched the falling rain.
Her mind went to the past
she hummed a sweet refrain.
He traveled through the forest
with cautious stealth and dread.
Alone and failing fast,

he’d crashed and should be dead.

(c) Lawrencealot November  11, 2012
Visual Template

Ya Hoo

The Ya Hoo is an enhanced version of the Yadu.
It was invented by Lawrencelot of AP
There are 1 to 3 stanzas, each with five lines.
Each of the first four lines have four syllables.
The last line has either 5, 7, 9 or 11 syllables.
The defining feature of this form is that it has internal staircase rhyme, as does the yadu, but unlike the yadu it has right and left staircases.
Also unlike the yadu, there is NO requirement that the poem have a theme about seasons.
Here is a syllable schematic of the rhyme required.
a.O.O.b
O.a.b.c
d.b.a.e
O.d.e.c
O.e.d.c
Where “–” equals from 1 to 7 syllables.

Related forms:  Than-BaukThan-Bauk PoemYaDu,  Ya Hoo.

Example poem.
Maybe Time, by Lawrencealot
Shine a dim light
of fine nightowl
sky;  white wine pour
for my poorgal. 
She’s sore. Why? I dunno but I see a scowl.
I could propose
then I ‘spose she
would close my night
out good, right?We
don’t fight. Should work for everybody.
Visual Template: