Mad Calf

Mad Calf
Type: Structure, Metrical Requirement, Rhyme Scheme Requirement, Other Requirement, Isosyllabic
Description: This is the four stanza version of the Mad Cow. It is an allegorical pastoral written in six-syllable lines with the rhyme scheme: abcde fghij klmno eieio. It tends to be a bit lighter than the Mad Cow.

Attributed to: Sebastian “Duke” Delorange
Origin:American
Schematic:
Rhyme scheme: abcde fghij klmno eieio.
All lines six syllables.
Rhythm/Stanza Length: 5
Line/Poem Length: 20

Pasted from http://www.poetrybase.info/forms/001/174.shtml
My thanks to Charles L. Weatherford for his years of work on the wonderful Poetrybase resource.

My example

Breakfast Time (Mad Calf)

Baa! said the sheep aloud
but talking to himself.
Chirp, said the chick to the
rooster proudly strutting.
The tiny mouse said, squeak.

Meow, said the hungry
cat, and the mouse shut-up.
Bah! said the brawny bull
where are the cows today?
Whoo? the old owl replied.

Cluck, said the mother hen
to the proud rooster’s back.
Little oinks from piglets
and big ones from their dad –
odds tones that seemed to rhyme.

Later on they’d be meek,
avoid folks, go their way,
but now they’re primed to speak
and the noise seems okay
because it’s breakfast time.

© Lawrencealot – December 16, 2014

Visual template

Mad Calf

Gzha

The Gzha is Tibetan folk poetry, a dance song.

The Gzha is:
• syllabic, written in 6 syllable lines, usually trochaic. The form ends with a spondee SS.
• written in 4 lines.
• unrhymed but parallelism is expected. The poem often employs internal consonance and assonance.

Super Sunday by Judi Van Gorder

Wearing pads and helmets
players fight for pig skin
ball. The Super Bowl is 
football’s final Big Game.

Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=641
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

Parallelism:
Similarity of structure in a pair or series of related words, phrases, or clauses.
Also called parallel structure.
By convention, items in a series appear in parallel grammatical form:

a noun is listed with other nouns, an -ing form with other -ing forms, and so on.

My example

Seasonal Procrastination (Gzha)

Driving, walking, riding,
anxious always knowing
Christmas time is coming
I can’t wait, I must shop.

Next year I’ll do better
(promised that last Christmas.)
Seems the theme’s repeated
nearly every damn year.

© Lawrencealot – December 15, 2014

Visual template

Gzha

Essence

 
Stanzaic, any number of couplets
Isosyllabic, Hexasyllabic lines
Rhyme Pattern: xbxcxa xbacxa, where b and c are interlaced rhyme, AND c is optional.
      Note: The b and c rhymes can be found on any syllables.
  • Essence is a rhyming hexasyllabic couplet with internal rhyme with a twist. Normally in English prosody “internal rhyme” refers to a word within the line rhyming with the end word of that line or the end word of the previous line. However in this verse form internal rhyme refers to words from somewhere within the line rhyming internally within the next line, it could be 1 or 2 rhymes. (This could be tricky in only 6 short syllables.) Found at ShadowPoetry.com and attributed to Emily Romano, published in P.O.E.T. magazine in 1981.
    The essence is:

    • stanzaic, written in any number of couplets.
    • syllabic, hexasyllabic lines.
    • end rhymed as well as interlaced rhyme. x b x x c a b x c x x a The b and c interlaced rhymes may be placed in any position within the lines, the c rhyme is optional.
Two short lines with end rhyme
sort within, tend to time.
——
Judi Van Gorder
 
 
My great thanks to Judi of PMO, for the above.
II made one change in the description.  Instead of referring to the b and c rhymes as internal rhyme, I called them interlaced rhyme.
Rhyming a word in the middle of one line with a word in the middle of another is called interlaced rhyme.
Here, thanks to Bob Newman of Volecentral, is the most definitive list of rhyme types I have ever encountered.   http://www.volecentral.co.uk/vf/rhyme.htmNote: I would also disagree with the indicated rhyming convention, but guess I will not insist it be x a x b x c  since the previously indicated pattern bestows the a-rhyme upon the end-rhyme position.

Isosyllabic: 6/6/6/6/6/6
Rhymed (bca)(bca) (Interlaced rhyme)
My  Example Poem
Bye Bye,  Bad Boy      (Essence)
Next time you reel me in
to climb and feel and sin,
I plan to take to bed
a man to slake instead.
© Lawrencealot – Thanksgiving day 2013
Visual Template
Essence

Pleiades

Pleiades form

This titled form was invented in 1999 by Craig Tigerman, Sol Magazine’s Lead Editor.
Only one word is allowed in the title followed by a single seven-line stanza.

The first word in each line begins with the same letter as the title.

Hortensia Anderson, a popular haiku and tanka poet, added her
own requirement of restricting the line length to six syllables.

 

 Example Poem

Storm

Striking frightful lightning
Sending shadows darting
Sudden squall surprising
Shrieking wind propelling
Screams against our faces,
Slamming hail bombarding –
Suddenly it’s over.

© Lawrencealot – April 16, 2012

Visual Template:
This was penned in trochaic trimeter, but that is not a requirement.

Pleiades