Egg Timer

This form was apparently invented by Dorian Peterson Potter.
All the poems I found were written by her, and although you can see some variance below the following seem to be the specifications.

The Egg Timer is:
A decastich (10 line poem)
Syllabic 5/4/3/2/1/1/2/3/4/5
Unrhymed
Formulaic: The last five lines are the mirror image of the first five line.
Centered or not, at poets discretion.

 

~Spring~

(Egg Timer)

Spring arrived just sprung

Hear birds singing

Butterflies

Ladybugs

See

See

Ladybugs

Butterflies

Hear birds singing

Spring arrived just sprung

Grass is growing tall

Need to trim it

Rid of weed

Keep green

Nice

Nice

Keep green

Rid of weed

Need to trim it

Grass is growing tall.

Dorian Petersen Potter

aka ladydp2000

copyright@2014

Learning (Egg Timer)

Learning is great fun
Just learn each day
Something new
You can
Yes
Yes
You can
Something new
Just learn each day
Learning is great fun

Right under the sun
In the moonlight
You can have
New goals
Dreams
Dreams
New goals
You can have
In the moonlight
Right under the sun.
Dorian Petersen Potter
aka ladydp2000
copyright@2011

Time And More Time (Egg Timer)

From this recover

Need time to heal

Stand my ground

I’ll be

Strong

Strong

I’ll be

Stand my ground

Need time to heal

From this recover

March 7,2014

Pasted from http://www.poemhunter.com/poem/time-and-more-time-egg-timer/

See also Trick Poetry.

My example

Failing Frequently (Form: Egg Timer)

I alliterate
when I’m able.
I cannot
sometimes
though.
Though
sometimes
I cannot,
when I’m able
I alliterate.

© Lawrencealot – January 19, 2015

Brace Octave

Brace Octave
Type:
Structure, Rhyme Scheme Requirement, Stanzaic
Description:
An eight-line stanzaic form with rhyme of abbaabba or abbacddc. No requirements on meter or length. The Italian octave is a subgenre of this.
Origin:
English
Schematic:
abbaabba or abbacddc
Rhythm/Stanza Length:
8
See Also:
Status:
Incomplete
My thanks to Charles L. Weatherford for his fine Poetrybase resource.
Brace Octave ——————————————
The Brace Octave has its roots in music. The brace is the wavey symbol that joins 2 staffs of music, indicating that both scores are played simultaneously. The verse form referred to as the Brace Octave is a lyrical blend of meter and rhyme, the rhyme scheme almost taking the shape of the brace. It could even be said that the octave itself acts as a brace joining two envelope quatrains.
The Brace Octave is:
  • stanzaic, written in any number of octaves (8 lines) made up of 2 envelope quatrains. When writing more than one octave, even numbered stanzas grouped in twos seems to fit best with the venue of the form.
  • metric, iambic tetrameter. Some sources indicate no meter necessary but given the musical nature of the verse, it seems to me measured lines are appropriate if not a prerequisite. The best known poem utilizing the Brace Octave is Two Songs from a Play by W.B. Yeats which is written in iambic tetrameter so I guess Mr. Yeats agrees with me.
  • rhymed, with an envelope rhyme scheme abbacddc (see it does sort of look like a brace lying down.)
    Here is 
    William Butler Yeats’ poem which was published in his book The Towerin 1928. There is a footnote from Yeats “These songs were sung by musicians in my play Resurrection.”
Two Songs from a Play by William Butler Yeats
I
I saw a staring virgin stand
Where holy Dionysus died,
And tear the heart out of his side.
And lay the heart upon her hand
And bear that beating heart away;
Of Magnus Annus at the spring,
And then did all the Muses sing
As though God’s death were but a play.
Another Troy must rise and set,
Another lineage feed the crow,
Another Argo’s painted prow
Drive to a flashier bauble yet.
The Roman Empire stood appalled:
It dropped the reins of peace and war
When that fierce virgin and her Star
Out of the fabulous darkness called.
II
In pity for man’s darkening thought
He walked that room and issued thence
In Galilean turbulence;
The Babylonian starlight brought
A fabulous, formless darkness in;
Odour of blood when Christ was slain
Made all platonic tolerance vain
And vain all Doric discipline.
Everything that man esteems
Endures a moment or a day.
Love’s pleasure drives his love away,
The painter’s brush consumes his dreams;
The herald’s cry, the soldier’s tread
Exhaust his glory and his might:
Whatever flames upon the night
Man’s own resinous heart has fed.
My thanks to Judy Van Gorder from PMO for the above.  I
 tend to agree with her conceptually about the meter and line length, but many do not.  Below is a poem that strays from isosyllabic lines and abandons consistent meter.
~Love Is Not Just  A State Of Mind~
(Brace Octave)
Love is a very beautiful feeling
Can make you sappy or happy
And at times can give you  healing
Sometimes makes us so unhappy
You reach the stars or hit the ceiling
Emotions makes us  sad or happy
Love is not just a state of mind
For in your heart love you can find
Dorian Petersen Potter
aka ladydp2000
copyright@2011
My example poem
Short Shrift    (Brace Octave)
I tell ya friend
it’s quite okay
to write this way
or else append
sounds to extend
the word array
with more to say
from start to end.
© Lawrencealot – April 20, 2014
Although I do believe that more pleasant poetry results from utilizing meter and a consistent line length of iambic tetrameter or longer, I have to allow any octave using envelope rhyme to be tagged with this name.
Visual Template

Sonnetina Rispetto

Sonnetina Rispetto

The “Sonnetina Rispetto” is a new poetry form
created by Dorian Petersen Potter
on September 8,2009.
This form has 14 lines with 8 syllables each.
It can be written in 3 quatrain stanzas and a couplet or
with an Octave(8) and a Sestet(6) lines.
The rhyme scheme is as follows: A1,A2,B1,c,c,B2,A1,A2,d,d,B1,B2,A1,A2.
The capitals A1,A2,B1 and B2…stands for the refrain lines in the poem.

Specifications restated:
Stanzaic:  Either 4 quatrains and a couplet or a sestet and an octaveI
Isosyllabic:  Eight syllable per line
Repetitive: requires two refrain lines, each repeated twice.
Rhyme pattern: A1A2B1ccB2A1A2ddB1B2A1A2.My example poem
My Reservoir Is Now Pints Shy     (Sonnetia Rispetto)

A challenge once was put to me
to drink six beers and not to pee.
When young I won that careless bet
Six bottles I would quickly scarf,
then merely belch and never barf,
but how I did it I forget.
A challenge once was put to me
to drink six beers and not to pee.

My bladder then could wait and wait
and bow not to an old prostate.
When young I won that careless bet
but how I did it I forget.
A challenge once was put to me
to drink six beers and not to pee.

© Lawrencealot – March 18, 2014

Visual Template