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Tags8 lines 10 lines 12 lines 16 lines abab Allpoetry Berg centered couplet formulaic French haiku iambic iambic pentameter iambic tetrameter iambic trimeter internal rhyme Irish isosyllabic isosyllabic 8 line length optional meter none meter optional mono-rhyme Newman octave Pathways PoetName poetry forms quatrain quatrains refrain rhymed rhyme optional sestet sestets Smith Spanish stanzaic syllabic tetrameter unrhymed Van Gorder Weatherford Welsh
The form is made up of 13 lines – two six-line stanzas and one final line. The two stanzas tell the majority of the story, and the first line of the second stanza should serve as the inspiration for the title (though not required). The last line will be a restatement or rephrasing of the first line of the second stanza. Rhyme scheme and corresponding syllable counts are as follows:
a (8 syllables)
b (9 syllables)
C (10 syllables)
C (10) (uses same word as line 3 for end-line rhyme)
F (10) (same end word as line 9)
D (8 OR 10 syllables) (same end word as line 7)
In the rhyme pattern indicated by abCabCDeFdeFD, the lines indicated with capitals contain word refrains.
We Missed the Dance
“Does my old cowboy hat look fine?”
you asked me just as we were leaving.
I turned and looked, and ran into the door.
“Well dear, I d say you look divine,”
“What hat?”- My eyes were they deceiving?
There were those pokey things that I adore.
“If we perchance can miss the dance
and settle later just for dining
I think I’d rather stay at home instead
exploring signs of our romance
which we can do while we’re reclining.”
With that she led me to our bed instead..
And so we once again have missed the dance.
© Lawrencealot – September 10, 2013
(Notice: Being rebellious, I chose phonic identity, instead of absolute identity in choosing the “C” refrain.
Dahquain form invented by D.A. Hemingway, aka, DianeAH on Allpoetry.com.
Iambic Tetrameter Quatrains
axAA bxBB cxCC dxDD, etc.
Minimum of 4 stanzas,
Ends with a separate rhyming couplet. (14 lines or more)
The capital letters indicate that the words are identical.
In the rhyme pattern indicated by axAAbxBBcxCCdxDD, the lines indicated with capitals contain word refrains.
Write a Dahquain
A Dahquain seems a friendly form.
Line two will never have to rhyme,
although I guess it is my norm
to try to monkey with the norm.
I suppose could to try to rhyme
all the unrhymed lines; even try
to challenge up with monorhyme
that is, if you like monorhyme.
Or you could get busy and try
to link as I’ve done here, those lone
lines lightly “Ah ha!”, slap your thigh.
Excited guys will slap their thigh.
Now that trick treds path of my own;
It’s not part of this easy form.
My tricks just wanted to be shown.
I’ll be anxious to see yours shown.
Enjoy the Dahquain, Di’s new form.
A Dahquain seems a friendly form.
© Lawrencealot – July 14, 2012
Ignore name Dahtrain…That was my misunderstanding.
This form was invented by D.D.Michaels writing at Allpoetry.com.
- Begin with any octet with any rhyme scheme and meter.
- Break lines 1 and 4 into segments which can be broken in concert with that rhyme scheme.
- Swap Line 1 to Line eight, after reversing those aforementioned sections
- Swap Line 4 to Line seven in the same manner.
Written in iambic pentameter with rhyme scheme: ababcdcd,
where refrain words represent half a line.
Let’s Write a Double Swap Octet
A double swap octet let us now pen.
I built the first with one swap, not too bright.
So I am back right now to try again.
It helps if your instructor gets it right.
Pen line four right after one, prevent yelps
from finding it won’t rhyme the way it’s set.
If your instructor gets it right it helps.
Let us now pen a double swap octet.
By just lines one and four, all rhymes are set.
I’ve set those words in red to ring like chimes.
Now you write wonderfully, without regret.
At the end or at the break, place the rhymes.
Remember line sequence for heaven’s sake.
Then unlike me, you won’t louse up the score.
Place the rhymes at the end, or at the break.
All rhymes are set by just lines one and four.
© Lawrencealot – May 3, 2012