Deibhidhe Guilbnech Dialtach

Deibhidhe (jay-vée) and its variations are dán direach. These ancient Irish Verse Forms carry a deibhidhe or light rhyme. Meaning that each rhymed couplet rhymes a stressed end syllable with an unstressed end syllable. In English rhyme is usually between 2 stressed syllables (yellow/ mellow, time/ rhyme ) but Celtic verse often deliberately rhymes a stressed and unstressed syllable (distress / angriness, west / conquest), easier said than done. As with most ancient Irish forms the Deibhidhes are written with cywddydd (harmony of sound) and dunadh (ending the poem with the same word, phrase or line with which the poem began)Note: When writing in English it is sometimes very difficult to meet the stringent requirements of dan direach, so example poems are included that may not always demonstrate all of the features described.

• Deibhidhe Guilbnech Dialtach is:
○ written in any number of quatrains,
○ each line has 7 syllables.
○ rhymed, aabb.
○ alliterated, alliteration between two words in each line,
○ all end-words should consonate.

Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=1173#guilbnech
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

A wonderful example I found:

A Deibhidhe* on Clocks Stuck at Midnight
by Gary Kent Spain

angel imp with withered wing
from chains delivered limping
then bossed, denied might and means
while men tossed you pied pipedreams

drab duality’s fall meant
full equality’s advent:
did distaste since harbored hide
hate’s misplaced ardor inside?

how clamped tight is your grasp, ghost
of the past: light the lamppost
change the spinner, hound out hell
bound by your inner angel

* (pronounced “jay-vee”)

Kent’s notes
Deibhidhe (pronounced “jay-vee”) is an ancient Irish measure consisting of 7-syllable lines rimed in couplets on the last syllable, stressed with unstressed. This poem has all the bells and whistles of Dan Direach (‘strict meter’): cross-rimes on every stress, alliteration in every line—preferably between last two stressed words (this last a requirement in the 3rd and 4th lines of each quatrain)—and the dunadh (first syllable, word, phrase, or line repeated in closing).

This poem (I think fairly obviously) addresses keeping up with the last half-century’s change in the general attitude towards race in America (on the part of those who were once victims of widespread discrimination and prejudice).

My example poem

Or, More Likely, Snow (Deibhidhe Guilbnech Dialtach)

Streamlets rushing from mountain’s source
become cascading creeks of course.
Creeks combine in the course of time
with mountain’s mandate being prime.

The brooks that babble then will merge
into a river’s rapid surge
and kissing, carve the mountain’s face
removing, rock which slowed its pace.

Great and ginormous rivers flow
to seas– there seized into escrow
where they await their great refrain
on mountain tops to fall as rain.

© Lawrencealot – August 7, 2014

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Deibhidhe Guilbnech Dialtach

Mystic Butterfly

Mystic Butterfly form is one created by two poetesses
and combines their pen names of Mystictaurusritr and DarkButterfly.
The form is intricate in style and utilizes both of their own styles
as well as incorporating extended echos of Edgar Allan Poe.
Their form is penned as follows:
2 Sestets (6 lines per stanza)
Each line starts with a capital letter.
Rhyme scheme:  abcddd
Internal and External rhyme using the same pattern, on every line.
Line 6 is your refrain, which the first word may be altered
if needed to fit stanza better. Syllable pattern as follows:
L1 ~ 16 syllables
L2 ~ 18 syllables
L3 ~ 16 syllables
L4 & L5 ~ 15 syllables (L5 ends with end word of L4)
L6 ~ 7 syllables
Example Poem
A Night Out with a Role Playing Mistress      (Mystic Butterfly)

I followed her into the park across the street and in the dark.
Her coat hid her skimpy and bold clothes that exposed much to view, more to cold.
She’d turned him down with much disdain, and picked another just as plain,
He, had no doubt, much money spent; back downstairs he looked content.
She’d  struck out  with a spiffy gent, who left clearly not content.
Evil doers must repent.

As she approached the wooded dark, cutting through the secluded park.
Death was gaining through the dim cold.  This attack would be quick evil and bold.
There remained nothing to explain. The whore simply must feel the pain.
He pulled her from the hard cement, promised loud he would torment.
Before he could my knife’s descent cut his throat without torment.
Evil doers must repent.

© Lawrencealot – October 28, 2013
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Butterfly Quintet

This is a Butterfly Quintet created by Amanda Jean Norton
Stanza 1 is Iambic Pentameter rhyming abcbd
Stanza 2 is Iambic Tetrameter rhyming effe
Stanza 3 has 2 lines of Iambic Trimeter, Enveloped by 2 lines of Iambic Pentameter
The rhyming words are the same words in each set EGGE
Stanza 4 is Iambic Tetrameter rhyming hiih
Stanza 5 is Iambic Pentameter rhyming abcbd
 
Example Poem
 
Write a Butterfly Quintet
To write a Butterfly Quintet my pet
you place complex content in stanza one.
There’s room internally to romp with rhyme
or sprinkle sparks of alliteration.
The same thing goes, by jive in stanza five.
In middle stanzas do your play.
These step more quickly, I believe;
less time to ponder, think or grieve.
First line next stanza have you say!
Expound your thesis here– it’s quite okay.
Exclaim your point right now.
Make emphasis some how.
The repeated words for that deed are okay.
Now butterfly, just flutter by.
Just play and give the air some shoves–
enjoyed wherever there are loves.
You light their hearts up butterfly.
Here the conclusion you’d most likely set,
with evidence supporting, now begun.
If playful theme there’s still a  lot of time
To zig and zag, and twist the plot for fun.
Your muse can use this form to come alive.
© Lawrencealot  – July 2, 2012
 
 
 
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