Type: Structure, Metrical Requirement, Rhyme Scheme Requirement, Stanzaic
Description: This is an idea that takes the than-bauk and extends it by startng a new climbing (falling) rhyme sequence in the third, fifth, seventh, etc. lines.
Attributed to: Bob Newman
Pasted from http://www.poetrybase.info/forms/005/513.shtml
My thanks to Charles L. Weatherford for his years of work on the wonderful Poetrybase resource.
The THAN-BAUK POEM – poetic form attributed to Bob Newman – takes theTHAN-BAUK and extends it by startng a new climbing (falling) rhyme sequence in the third, fifth, seventh, etc. lines.
After a tedious internet search, I cannot see any definitive amount of lines required for the Than-Bauk Poem.
where “x” is the syllable count, “a” through “d…. etc.” is the rhyme scheme
Example by Jacquii Cooke:
where the rain falls
the wind calls for
hail balls and rest
and the zest of
lights’ best lit way.
some kind slave runs
away from deep chains
Pasted from <http://jpicforum.info/threads/than-bauk-poem.809/>
With a big thank you to Jacquii Cooke
Since Bob was mute on the subject of poem length, I will assume it can be any number of odd-lines greater than three.
Newman Renovation (Than-Bauk Poem)
Now Bob was bad
but I’m glad that
he had the thought
that we ought not
be caught upstairs.
The Than-Bauk is Burmese. It goes something like this:
A kind of verse
Some are worse than.
It’s terse, but rhymes.
Three lines, four syllables each. And the fourth, third and second syllables respectively all rhyme. It’s even shorter than a haiku, but a lot more structured. Traditionally, than-bauks are supposed to be witty and epigrammatic.
In view of the Haikus popularity in the West, it’s surprising that the Than Bauk is not more popular. It consists of three lines of four syllables that should be witty. The nickname for this form of poetry, could be “Stairway”, because of the rhyme steps through the poem. This is the basic rhyme scheme:
O. O. O. a
O. O. a. O
O. a. O. b
You can see from this that it forms a descending step, and at this point it can be terminated. You have twelve syllables to work with, and it could be very hard work. It could be much easier if a longer poem were made. If this is the case, then the practice is that the last syllable of the third line starts the next descent as shown below:
O. O. O. a
O. O. a. O
O. a. O. b
O. O. b. O
O. b. O. c
O. O. c. O
O. c. O. d. etc.
The sun is bright
while moonlight is
seen night and day.
© Lawrencealot – November 22, 2013
Only Three lines are required, but if you wish to continue, the pattern follows.
This form was invented by Amanda J. Norton
Monorhyme quintet with line length growing from 6 to ten syllables
Interlaced rhyme required for every line, starts with word two of line 1
then “jumps” up a word each line until the last,
where it jumps back one word.
Obviously the poet must not use large multisyllabic words that make this impossible
Line length is based on syllables, rhyme pattern is based on words – take care
Lets Dance (Jumping Rhyme)
I propose that we dance
if your toes dare take a chance.
God only knows I cannot prance
and whirl like the pros, but there’s a chance
the closeness could dispose you to romance.
© Lawrencealot – December 9, 2012
Both Interlaced and end-rhyme are monorhyme
I think the following visual template will clarify:
Note: you cannot chart the interlaced rhyme in advance, as it is dependent upon the word size
The yadu is a Burmese climbing-rhyme verse. Each of the stanzas —up to three in all— has 5 lines. The first four lines have 4 syllables each, and the last one can have 5, 7, 9, or 11 syllables. The last two lines rhyme in the usual way. The climbing rhymes occur in syllables four, three, and two of both the first three lines and the last three lines of a stanza. There should be a reference to the seasons since the word yadu means “the seasons.
As the Than Bauk is to the Haiku, then the Ya Du is to the Tanka
and consists of four syllable lines and a fifth one that can
comprise of 5, 7, 9,or 11 syllables.
The staircase rule applies to the four lines,
and the last syllable of the fourth and fifth
line must rhyme, giving a pattern of:
O. O. O. a.
O. O. a. O
O. a. O. b
O. O. b. c.
O. O. O. O. O. O. O. O. c.
Blue sky’s curved moon
appeared at noon, as
gray loon’s song note
surged afloat clouds —
bird’s songs circled dreams, quietly abound.
We watched it stay
on its way, silk
breaths swayed tree leaves;
freshly weaved thoughts
seized summer notions the afternoon moon brought.
The Ya Hoo is an enhanced version of the Yadu.
It was invented by Lawrencelot of AP
There are 1 to 3 stanzas, each with five lines.
Each of the first four lines have four syllables.
The last line has either 5, 7, 9 or 11 syllables.
The defining feature of this form is that it has internal staircase rhyme, as does the yadu, but unlike the yadu it has right and left staircases.
Also unlike the yadu, there is NO requirement that the poem have a theme about seasons.
Here is a syllable schematic of the rhyme required.
Maybe Time, by Lawrencealot
Shine a dim light
of fine nightowl
sky; white wine pour
for my poorgal.
She’s sore. Why? I dunno but I see a scowl.
I could propose
then I ‘spose she
would close my night
out good, right?We
don’t fight. Should work for everybody.