Sonondilla or Sardine

This is a form invented by Charles L. Weatherford the creator of one of the best Poetry learning sites in the English speaking world.
 
 
 
In his own word Charles explains that he devloped to form to play to his own particular strengths:
 
Creating the “sonondilla, I actually used two existing forms. First was the Petrarchan sonnet; second was the redondilla, a purely syllabic Spanish quatrain with envelope rhyme scheme (abba).
 Based on this mixing, I came up with a fourteen line form that was syllabic, but was also tougher to rhyme than other sonnets. I’m much better at rhyming than a lot of people. (That isn’t to say that I don’t put out some real klinkers in my light verse.)
 
 So, the sonondilla’s predominant rhyme scheme is abbaabbaccddcc, which is even more difficult than the Petrarchan sonnet. “
_____
And from  the Britannica:
redondilla, a Spanish stanza form consisting of four trochaic lines, usually of eight syllables each, with a rhyme scheme of abba. Quatrains in this form with a rhyme scheme of abab, sometimes also called redondillas, are more commonly known as serventesios. Redondillas have been common in Castilian poetry since the 16th century. The word is derived from the Spanish redondo, meaning “round.”
Pasted from http://www.britannica.com/EBchecked/topic/494744/redondilla

And from Poetrybase:

Sardine

Type:

Structure, Metrical Requirement, Rhyme Scheme Requirement, Simple, Pivot Requirement

Description:

A sonnet that uses redondilla as a base. Each line is eight syllables and has the rhyme scheme abbacddceeffee or abbaabbaccddcc. It is also known as the Redondilla sonnet, the Napoleonic sonnet, or the Sonondilla.

Attributed to:

“The Dread Poet Roberts”

Origin:

American

Schematic:

Rhyme: abbacddceeffee or abbaabbaccddcc
Line meter: xxxxxxxx or xX xX xX xX or Xx Xx Xx Xx

 

Pasted from http://www.poetrybase.info/forms/002/290.shtm

Many Thanks to Charles Weatherford for his wonderful resource site.

 
So we have the Sonondilla or SardineSonnet
It should be written in octosyllabic lines.
Meter either iambic or trochaic
Rhyme scheme: Rhyme: abbacddceeffee or abbaabbaccddcc
Volta to appear at line 9.
I found the Sonondilla first, then found the Sardine.  I asked the inventor about it.
His reply:
 Larry, 
I usually go with Sardine. It is a good joke name 
that my buddy Chuck Lipsig (He’s a poet and 
playwright on my FB friends’ list.) came up with 
while I was developing the form.  
The idea was that Sardinia was sort of midway 
between Spain (redondilla) and Sicily (Sonnet). 
The geography was the basis of several of the joke 
names, such as Napoleonic sonnet. 
Several people have written sardines (the poem) 
with the theme of sardines (the fish). 
I remember one I saw talking about people on a crowded 
train with the sardines-in-a-can metaphor.
Charley
My example:
Ambiguity           (Sonondilla or Sardine)
 
In ambiguity there’s hope
that your misstatement may make sense
to someone sitting on the fence
who’s neither voted yep  nor nope.
Thus politician’s often cope
with lack of what’s called commonsense
by merely giving no offence.
If you don’t get it, you’re the dope.
You cannot fact check what’s not said
Thus inferences that have led
to contrary conclusions are
non-specific, sometimes bizarre.
Turn off the TV, go to bed,
or watch grass grow; you’ll be ahead.
 
©Lawrencealot – February 1, 2014
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Sonondilla

La Germania

This form is another invented by Jose Rizal M. Reyes
rhyming pattern: abba acca cddc dd
format: English (quatrain, quatrain, quatrain, couplet)
Example Poem
Was I Judged?      (La Germania)
Accepting people as they are to me
has made my life a fun and fine affair.
I find surprises happen when you care.
An honest interest sets many free.
The dullest stranger has a history
that may astound, amaze, and entertain,
a history they’re happy to explain,
to work through how today has come to be.
A page long post you sent with this refrain:
“Refrain from judging people sir; just wait,
and walk in shoes that led them to their fate.”
That you would think I would not caused me pain.
I’m thankful that your post was boiler plate.
There’s no room left within my heart for hate.
© Lawrencealot – November 15, 2013
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Weaver’s Sonnet 2

This is a sonnet form invented by Tim Weaver, aka Poeticweaver of Allpoetry.

It’s only defining characteristic is the Rhyme scheme: abab cdcdefef ee
All normal sonnet options apply, meter and line length at the poet’s discretion.
Here is a Visual Template for Iambic Pentameter
Sample Poem
Adam’s New Girl

 

 

 

 

 

 

 

 

She comes to me from realms beyond our earth,
a beauty with a mind beyond our own,
intending to assess all mankind’s worth.
Thus, I’m afraid to be with her alone.
She knows our kind are greedy and unjust,
as her kind were before our earth was here.
I’m sure if I succumb to wanton lust
I’ll validate her doubts all bout our sphere.
“Not so,”, she said though I’d not said a word,
“aggression, greed and hate can all go way,
but losing human lust would be absurd.”
I’m here as Eve, with kinder DNA.
I’ve chosen you, I’m glad you’re not deterred,
Undo my fittings while your lust is stirred.”

© Lawrencealot – October 10, 2013




I deem this Contempory Steampunk verse
Visual Template
 
 

Whimsical Sonnet

This Sonnet form was introduced in a contest on Allpoetry by Numi_Earl_Grey
When I asked him to name the sonnet, this was his response.
Ah, a name – probably Wayne’s Honestly Intricate Mono-Stanza’d Imperfectly Coupleted Alternately-Layered Sonnet, or the WHIMSICAL Sonnet for short…
The following is his own introduction to the sonnet:
My friends, I shall impart this wisdom: True,
if life were thus parlayed in newish Sonnet form
we’d need some kind of rhyme and rhythm – New,
this form would break with stale traditions and the norm.
Now, why would we begin such daunting tasks?
Is it because we’re just some new iconoclasts?
Have we been drinking bourbon from our flasks?
Or do we wish to strip away old pretense masks?
The latter would be beneficial; though
you may not want such thoughts and views upon your shelves –
such innovative types (like us) forego
the safety nets that small minds cast around themselves.
My friends, you have a choice – remain secure,
or journey in, so we may walk the untrod shores…
New Sonnet Form Details:
Lines alternate between iambic pentameter and iambic hexameter (no, not sexameter!).
So that’s lines of ten and twelve syllables, all going da-daa-da-daa-da-daa…
Rhyme scheme is ABAB CCCC DEDE FF’ where F’ is a near rhyme to F.
I think the CCCC mono-rhyme stanza breaks the monotony of the ABAB, and the near rhyme at the end breaks the monotony of the perfect rhyming.
Here is the poem which he selected as the winner of the contest.
Poor William (Numi Sonnet)(Renamed Whimscal Sonnet)
Poor William’s not around to try this form—
And pity ’tis, for he would do it up right just!
And not, as I’m intending, flaunt the norm
By using Irish rime* to land on verse’s cusp.
Nor would the Master tempted be to write
In meter that’s so regular the reader might
While reading fall asleep, as if dim night
Had dawned and scared away all ambient delight.
No, he would teach a lesson with his wind
By breaking ev’ry rule rich pedants have proclaimed,
Such as the thought a trochee would rescind
The name ‘iambic’ from a line (as if ’twere lamed).
And I have tried to follow in his footsteps
Here, as opposed to following poetic goosesteps.
* Irish rime is what the Welsh call it;
 the Irish themselves call it perfect ‘correspondence’
or Comharda (the closest thing the Irish have to rime),
which allows substitution of like-sounding consonants,
such as t and p (e.g. ‘just’ and ‘cusp’).
(c) Gary Kent Spain, writing as Venicebard
Visual Template of the Form

Transitive Sonnet

This is a sonnet form created by Larry Eberhart, aka Lawrencealot
which has its roots the non-sonnet form Monometric.

It is a chameleon type sonnet, because it CANNOT be identified by looking at its apparent rhyme scheme.

It is Stanzaic with couplets and tercets enveloping a quatrain
Meter is of the poet’s choice
Line length is 8 to 13 syllables (accommodating feminine rhyme)
Recommended: Iambic  tetrameter or pentameter
Rhyme scheme: aa bbb cccc bbb aa

The sonnet takes its name from the fact that the second occurrence of rhyme set may have its true rhyme sound changed by the use of any device such as slant rhyme (heart, star or milk, walk),assonance, consonance,  eye rhyme (date, temperate), or heteronyms.

Note: such rhymes may be used anytime or never.   Transition is NOT required, only ALLOWED.

Example Poem

Child

I’m saving treasures in a dresser drawer:
a diaper pin, the little shoes you wore
with jingles in the laces, a barrette
still clasping strands of wispy hair. They whet
my hankering for things I can’t forget.

Before our paths converged, I held a view
of easy, unobstructed passage through
the challenges of motherhood. I knew
exactly what to do at twenty-two.

But that was long before my stumbling feet
were pressed into the coals, the searing heat
of constant battle forcing my retreat.
And though you’ve plunged my heart into despair
a thousand nights, I can’t forget to care.

 
(c) Mary Sullivan Boren  – March, 2013
 
Visual Template
 
 

Stefanile Triadic Sonnet

An American Sonnet form which divides into 3 sections with a central Octave.

Form Type: Metrical
Origins: American
Creator: Felix Stefanile
Number of Lines: 14
Rhyme Scheme: a,b,a-b,c,c,d,b,b,d,e-f,e,f
Meter: Iambic Pentameter

Rules
1. The form divides into three sections. There should be no enjambment over these sections. They are as follows:

a) The first part is a triplet which ryhmes a,b,a. This section sets the theme for the content of the sonnet and is formed as a statement.
b) The second section is an octave rhyming b,c,c,d,b,b,d,e this elborates on the theme and enhances it.
c) The final triplet rhymes f,e,f. This provides the resolution of the sonnet in a similar fashion to the final couplet in a Shakespearian Sonnet.

2. The poem should be constructed using Iambic Pentameter.

Example Poem

Static

I don’t have noises dancing through my head
as other people attest that they do
except sometimes when I’m ensconced in bed.
My schemes to find the perfect girl to wed,
or fights to right the wrongs of city woes,
or dramas brought while teenage daughter grows
are now behind me.  Can’t believe the peace
I live in now, just plan a bit ahead.
The mental noise begins when I’m in bed.
It’s fun sometimes, and sometimes just won’t cease.
The static’s streaming from my muse somewhere.
I grab one random thought and get on it.
Forsake the bed (retired, it’s always there.)
and try to write a Triadic sonnet.
© Lawrencealot – January 21, 2013
Visual Template

Canadian Sonnet – Italian Structure

This is a form invented by Jose Rizal M. Reyes of the Philippines
 Unique in  presentation as 2 quatrains + 2 Tercets
Generally Iambic Pentameter
Volta at line 9
Rhyme Scheme: abba cddc eff egg 
Same rhyme pattern as Bowlesian Sonnet.
 
Example Poem: 

 
Today’s Best     ( Canadian  Sonnet – Italian Structure )

The editor demands my very best
with ocean’s depth and pictures for one’s mind.
Let waterfalls of syllables combine
while melodies of sounds they manifest.

Just that and nothing less is all that’s asked.
The pen is poised and pauses while I think –
perhaps I scratch my beard and sip a drink,
before returning, determined, to my task.

Oh, hell! How often does one sit to write
a piece of crap to merely fill a page?
Real poets don’t do that in any age.

We never set out trying to be trite.
Our very best attempt are made in vain
When mind’s creative cogs get clogged again.

© Lawrencealot – December 5th, 2012
Visual Template:

Philippine Sonnet

Quatorzain – Generally Iambic Pentameter
Volta at or following line 9
3 Quatrains + Couplet
Rhyme scheme:  aaaa bbbb aaaa cc
This is a form invented by Jose Rizal M. Reyes of the Philippines

Example Poem:

Morning Coffee, Before Work  (Philippine Sonnet)

The do-nut shop was open every day
we gathered there so we could have our say.
The “regulars” would leave their cup to stay
on hook-board: their own coffee cup buffet.

The hunters met the councilmen and cops,
and teachers met their students’ moms and pops.
The farmers spoke of watering their crops,
and sporting brags and bullshit never stops.

A newcomer just didn’t hold much sway
the coffee group was small-town thought per-se
The men would read, the women might crochet
until the conversation turned their way.

I learned more there than I did watching news
and found a balanced set of rural views.

© Lawrencealot – October 30, 2012

 

Nevada Sonnet

A Nevada Sonnet is merely a Fourteener with required, consistent internal rhyme occurring at the same syllable in each line.  The idea is to keep the Alexandrine meter from falling apart under its own weight.  This is all about making the sonnet a more cohesive unit.
Metrics: 14 lines written in Iambic heptameter
Rhyme Pattern:  Any sonnet pattern known to man, including blank verse.
Defining characteristic:  An internal rhyme pair in consistent position on each line.
Volta optional.
 
Example Poem:
I’ve Killed   (Nevada Sonnet)
 
An atheist, an agnostic, a Christian and a fool,
I’ve been deist, and quite caustic toward what I’ve  deemed fraud.
I’ve been a lout who wielded clout, a bureaucrat, a tool,
an entrepreneur, full of manure, and… some things to laud.
I’ve killed, and not in war.  For that my soul is sore.  The rest
I can amend or change my friend, but that’s indelible.
I killed what meant most to me.  His ghost I see- on rare nights.
Mercy killing, though culture willing, is not correctable.
I killed my dying pup.  Defying reason, conscience stings.
I was too small then to quell all life with one mighty blow.
I had to hit ,and cry and hit, hit again.  Of all things
I’ve ever done, that is the one that haunts.  Empathy so
flows to dogs that all my life, says my wife, I’ve felt more pain
for them then men.  That may be so until we meet again.
 
© Larry Eberhart, aka, Lawrencealot
 
 
Visual Template:
 
 

Malayan Wave Sonnet _English Format

Malayan Wave Sonnet –  English Format
3 Quatrains plus a couplet – Generally Iambic Petameter
Volta at or following line 9
rhyming pattern: aaba bbcb ccdc dd
This is a form invented by Jose Rizal M. Reyes of the Philippines

Example Poem:

Stopping by the Woods on a Snowy Evening  (Malayan Wave English Format)

Who owns the woods it matters not a bit
I’ll stop and merely look while I just sit
upon my horse  and watch the snowflakes fall.
The horse unused to stopping, chomps the  bit.

The deep and lovely woods present to all
a quiet peace away from city’s sprawl
A quiet montage – simply metaphor
displaying beauty differently than fall.

As whiteness coats the trees and forest floor
and amplifies the dwindling light yet more.
I drink up wonder, nurturing my soul
but cluck to horse  now, “Let’s complete our chore.”

Demands of daily life  define our role,
appreciating life  should be our goal.

© Lawrencealot – October 27, 2012




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