Morya’s Double Lock

Two quatrains plus two tercets
Rhyme scheme: abba baab cdc dcd
Volta at or following line 9
This is a form invented by Jose Rizal M. Reyes of the Philippines

ON OCTOBER 12, 2014 I became aware that a poem in this form was written by Joyce Kilmer, but apparently never christened. I have therefore re-named this form the Kilmer Sonnet.

 

 
Example Poem
 
Morning’s Gift     (Morya’s Double Lock)
I catch a fleeting glimpse- a waking dream
of sirens frolicking to start their day.
They’re full of joy, it seems that they’re at play;
I want to join them in the nearby stream.
I often wave with hopes that one will stay
but they all vanish in the rising steam.
They are but a mirage, so it would seem,
but still I’m buoyed by morning’s brief ballet.
I don’t despair their passing from my sight
the morn is brighter, sound now comes awake;
as critters scamper, pretty birds take flight.
If fantasy, or optical mistake
it none-the-less says things have started right.
and for a dreamer, that’s a decent break.
 
© Lawrencealot – November 14,  2013
 
Visual Template
 

South African Quilt

This is a form invented by Angela Jacobs,  it was, as I understand her very first sonnet written.
It is defined by the Rhyme scheme: aabb ccdd efg efg
It is presumed that the poet has the choice of meter and line-length.
The volta should occur at or beyond line 9.
 
Example Poem
 
 I Loved a Nymph     (South African Quilt)
Most every man believes he wants a maid
whose nymphomania is just displayed
when he and she are intertwined in lust,
and is has shapely form and ample bust.
I found just such a nymphet, by the way,
and we conjoined at least four times a day.
Had I an independent source of wealth
the exercise would have sustained my health.
But should your work or schooling make demands
you must then measure well your final aim,
for her own needs can not take second place.
She will find all attention she commands
there is no lack of guys to play her games.
so you must steel yourself to share with grace.
© Lawrencealot – September 29, 2013
 
Visual Template
 
 

Transitive Sonnet

This is a sonnet form created by Larry Eberhart, aka Lawrencealot
which has its roots the non-sonnet form Monometric.

It is a chameleon type sonnet, because it CANNOT be identified by looking at its apparent rhyme scheme.

It is Stanzaic with couplets and tercets enveloping a quatrain
Meter is of the poet’s choice
Line length is 8 to 13 syllables (accommodating feminine rhyme)
Recommended: Iambic  tetrameter or pentameter
Rhyme scheme: aa bbb cccc bbb aa

The sonnet takes its name from the fact that the second occurrence of rhyme set may have its true rhyme sound changed by the use of any device such as slant rhyme (heart, star or milk, walk),assonance, consonance,  eye rhyme (date, temperate), or heteronyms.

Note: such rhymes may be used anytime or never.   Transition is NOT required, only ALLOWED.

Example Poem

Child

I’m saving treasures in a dresser drawer:
a diaper pin, the little shoes you wore
with jingles in the laces, a barrette
still clasping strands of wispy hair. They whet
my hankering for things I can’t forget.

Before our paths converged, I held a view
of easy, unobstructed passage through
the challenges of motherhood. I knew
exactly what to do at twenty-two.

But that was long before my stumbling feet
were pressed into the coals, the searing heat
of constant battle forcing my retreat.
And though you’ve plunged my heart into despair
a thousand nights, I can’t forget to care.

 
(c) Mary Sullivan Boren  – March, 2013
 
Visual Template
 
 

Stefanile Triadic Sonnet

An American Sonnet form which divides into 3 sections with a central Octave.

Form Type: Metrical
Origins: American
Creator: Felix Stefanile
Number of Lines: 14
Rhyme Scheme: a,b,a-b,c,c,d,b,b,d,e-f,e,f
Meter: Iambic Pentameter

Rules
1. The form divides into three sections. There should be no enjambment over these sections. They are as follows:

a) The first part is a triplet which ryhmes a,b,a. This section sets the theme for the content of the sonnet and is formed as a statement.
b) The second section is an octave rhyming b,c,c,d,b,b,d,e this elborates on the theme and enhances it.
c) The final triplet rhymes f,e,f. This provides the resolution of the sonnet in a similar fashion to the final couplet in a Shakespearian Sonnet.

2. The poem should be constructed using Iambic Pentameter.

Example Poem

Static

I don’t have noises dancing through my head
as other people attest that they do
except sometimes when I’m ensconced in bed.
My schemes to find the perfect girl to wed,
or fights to right the wrongs of city woes,
or dramas brought while teenage daughter grows
are now behind me.  Can’t believe the peace
I live in now, just plan a bit ahead.
The mental noise begins when I’m in bed.
It’s fun sometimes, and sometimes just won’t cease.
The static’s streaming from my muse somewhere.
I grab one random thought and get on it.
Forsake the bed (retired, it’s always there.)
and try to write a Triadic sonnet.
© Lawrencealot – January 21, 2013
Visual Template

Arabian Onegin Sonnet

The author assumes the metric and pivotal requirements are the standard for the sonnet.
Onegin is pronouced Oh NAY gin

Rhyme scheme: AaAa BBbb CdC DDd
Meter: Consistent or iambic pentameter
Structure: Two quatrains followed by two tercets with a pivot or volta at line 9 or line 12
End-line Refrain Words

Example Poem:
Touch My Heart     (Arabian Onegin Sonnet)
When I can’t touch you just to show my love
I must find other ways I know, my love.
My acts must speak when pushing comes to shove.
That sense of loss I must now get ridof.
An illness causes you to seem remote
Ignorance let it make me act remote.
As sense of loss had grabbed me by the throat.
Your acts of love alone kept me afloat.
A selfish focus on my loss hid yours,
and fibromyalgia has no cures.
I must convince you dear, my love is yours.
Our music physically was but one realm,
but we’ve connected on most every realm.
We’ll let no losses ever overwhelm.
     © Lawrencealot – December 24, 2012
Visual Template:
JUST NOTED THIS WRITE DOES NOT CONFORM TO SPECS
THE REFRAIN WORDS ARE TO BE IN L1 and L3 a labeled.

Canadian Sonnet – Italian Structure

This is a form invented by Jose Rizal M. Reyes of the Philippines
 Unique in  presentation as 2 quatrains + 2 Tercets
Generally Iambic Pentameter
Volta at line 9
Rhyme Scheme: abba cddc eff egg 
Same rhyme pattern as Bowlesian Sonnet.
 
Example Poem: 

 
Today’s Best     ( Canadian  Sonnet – Italian Structure )

The editor demands my very best
with ocean’s depth and pictures for one’s mind.
Let waterfalls of syllables combine
while melodies of sounds they manifest.

Just that and nothing less is all that’s asked.
The pen is poised and pauses while I think –
perhaps I scratch my beard and sip a drink,
before returning, determined, to my task.

Oh, hell! How often does one sit to write
a piece of crap to merely fill a page?
Real poets don’t do that in any age.

We never set out trying to be trite.
Our very best attempt are made in vain
When mind’s creative cogs get clogged again.

© Lawrencealot – December 5th, 2012
Visual Template:

Tirrell Sonnet

Tirrell Sonnet was invented by R.L. Leonard, aka Tirrell

A quatrazain of two couplets enveloping two tercets enveloping a quatrain.
Meter and voltra are at the poet’s discretion.

Rhyme Scheme: A1A2 bcb cddc bcb A2A1

Write a Tirrellet Sonnet

This line demands your very, very best.
These words encompass and corral the rest.

Like onion layers one upon the next
the couplets backed up by the tercet pair
are cover for the most important text.

It may not be a rhyme that rings most rare,
it’s just the core of what’s a Tirrellet.
a brand new form that A.P. won’t forget,
invented here for poets everywhere.

An autologic poem just reflects
the manner followed to the end; we’re there
now, when we gets the first two lines annexed

These words encompass and corral the rest.
This line demands your very, very best.

© Larry Eberhart, aka, Lawrencealot Oct. 15, 2012

Saraband Sonnet- Spanish Style

tercet + quatrain + tercet + quatrain
Four stanzas
Volta at Line 8

Stanza 1 a tercet, rhyme axa or aaa

Stanza 2 a quatrain, any quatrain form or rhyme
The stanza forms may be mixed
Note my lables and templates do not consider mixed forms.

  • English: abab or abcb
  • Italian: baab
  • Spanish: bcbc
  • French: bbcc

Stanza 3 a tercet, same tercet form as stanza 1
a sonnet with a French tercet requires
line 2 of both tercets to rhyme.

Stanza 4 a quatrain, any quatrain form and
rhyme
Any metrical foot
Any metrical line
Some authorities insist on eight syllables but this is not cut and dried
Rhyme scheme: depends on the form chosen.
The volta the first line of the second tercet.

aaa bcbc aaa bcbc
axa bcbc axa bcbc

Example Poem:

Tell Me of Your Anger in Whispers (Sarabande Sonnet)

If you should speak in anger, dear
first speak where only you can hear
to be assured your meaning’s clear.

If meaning’s clear then is it fair?
is blame essential to be found?
Are words intended to repair,
and will they guide toward common ground?

Perhaps they ought to disappear
until your anger is not here,
for thrown, they travel like a spear.

The ripples spread out everywhere.
Use whispers closely, late tonight.
Just say you’re angry- for I care.
And honey I will make it right.

(c) Lawrencealot

Visual Template:  (Early on I found the spelling shown below, but have intentionally chose to opt for the more commonly found “Saraband”.

Sarabande Sonnet- Italian Style

tercet + quatrain + tercet + quatrain
Four stanzas
Volta at Line 8

Stanza 1 a tercet, rhyme axa or aaa

Stanza 2 a quatrain, any quatrain form or rhyme
The stanza forms may be mixed
Note: My labels and template do NOT consider any form mixing.

  • English: abab or abcb
  • Italian: baab
  • Spanish: bcbc
  • French: bbcc

Stanza 3 a tercet, same tercet form as stanza 1
a sonnet with a French tercet requires
line 2 of both tercets to rhyme.

Stanza 4 a quatrain, any quatrain form and rhyme

  • Any metrical foot
  • Any metrical line
  • Some authorities insist on eight syllables but this is not cut and dried
  • Rhyme scheme: depends on the form chosen.

The volta the first line of the second tercet.

aaa baab aaa baab
axa baab axa baab

Example Poem:

I have no Example Poem yet, Please Feel Free to send me one.

Visual Template:

Saraband Sonnet – French Style

tercet + quatrain + tercet + quatrain
Four stanzas
Volta at Line 8
Stanza 1 a tercet, rhyme axa or aaa
Stanza 2 a quatrain, any quatrain form or rhyme
The stanza forms may be mixed
 Note: My labels and template do NOT consider any form mixing.
  • English: abab or abcb
  • Italian: baab
  • Spanish: bcbc
  • French: bbcc
  • Any metrical foot
  • Any metrical line
  • Some authorities insist on eight syllables but this is not cut and dried
Stanza 3 a tercet, same tercet form as stanza 1
a sonnet with a French tercet requires
line 2 of both tercets to rhyme.
Stanza 4 a quatrain, any quatrain form and rhyme
Rhyme scheme: depends on the form chosen.
The volta the first line of the second tercet. 
aaa bbcc aaa bbcc
aza bbcc aza bbcc
I have used the “z” letter to indicate the lines must rhyme with each other, but may have any value, including “a thru c”.
 
Example Poem:
I have no Example Poem yet, Please Feel Free to send me one.
 
 
Visual Template:  (Early on I found the spelling shown below, but have intentionally chose to opt for the more commonly found “Saraband”.