Malayan Fireburst

Malayan Fireburst

This is a sonnet form invented and named by Jose Rizal M. Reyes of the Philippines.

Unlike the Sonnets I have documented before which require feminine rhyme, this is the first, that requires “wrenched” rhyme, rhyming a feminine rhyme with a masculine rhyme. 

It is stanzaic, consisting of three quatrains and a couplet
It is written in iambic pentameter.
The rhyme scheme is: aaba bbcb ccdc dd, where the 3rd line in each quatrain must be feminine rhyme. (In each case you will be rhyming with masculine rhyme in the following couplet. This is know as wrenched rhyme.)

Note: except for the feminine rhyme requirement this is identical to the Maylayan Wave Sonnet, found HERE. 

Regarding wrenched rhyme, I quote from a man much more researched and learned than I:
_____

Rhyming a stressed syllable with an unstressed one – e.g. thing and having – is a dubious practice but was once considered respectable. John Donne used to do it. It is sometimes known as ligReht rhyme, or hermaphrodite rhyme, or (despite its lack of virtue) virtual rhyme. (I have also heard this called apocopated rhyme, but apocopated rhyme is really something else). For a long time I was baffled by a number of pages on the web that refer to virtual rhyme as “wrenched rhyme”, for I was convinced that that phrase ought to refer to something quite different. It turns out that Peter Dale (a distinguished poet and translator) has produced a categorisation of rhymes, among which he includes wrenched stress rhyme (which is my “virtual rhyme”) and wrenched sense rhyme (which is my wrenched rhyme). The two different meanings of the word “wrenched” may well pre-date Mr Dale.

Pasted from http://www.volecentral.co.uk/vf/rhyme.htm#wrenched sense rhyme

My thanks to Bob Newman for his years of work on the wonderful Volecentral resource.

 

My example

Remedial Action (Maylayan Fireburst)

Removed from urban crush his cabin sits
above where finally the sagebrush quits.
His land abuts a park that’s mostly forest.
A stealthy person’s action gives him fits.

His firewood disappears, and he has guessed
his neighbor’s taking it without request,
and Bob’s a guy who’d surely grant permission
but thievery’s the thing that’s got him stressed.

He has no proof, just knows the deed is done,
and even speaking out would be no fun;
So how’d Bob act to get the misdeeds ended?
He fixed a piece of firewood – only one.

A blasting cap was what he did embed.
The thefts all quit, and nothing more was said.

© Lawrencealot – April 10, 2014

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Maylayan Fireburst

Scupham Sonnet

Isosyllabic quatrain consisting of two  Scupham stanzas (sextets) followed by a couplet
Metered: Iambic Pentamter
Rhymed: abccba deffed gg
Sources:
My thanks to Bob Newman at Volecentral for this information, his site is a wonderful resource.
My thanks to Judi Van Gorder at Poetry Magnus, another wonderful resource.
  • The Scupham Sonnet is noted at Vol Central as not a “proper” sonnet, probably because of the lack of prescribed pivot. It was created by British poet Peter Scupham and uses the Scupham Stanza.The Scupham Sonnet is:
    • a quatorzain made up of 2 Schupham stanzas (sixains) followed by a rhymed couplet.
    • metered, iambic pentameter.
    • rhymed, scheme abccba deffed gg.
    • no prescribed place for a pivot but most good poetry naturally has a pivot or turn someplace within the poem.
  • The Scupham Stanza is a sixain used in the Scupham Sonnet but which could be stand-alone poem or written in any number. It was created by British poet, Peter Scupham and is found at Vol Central.The Scupham stanza is:
    • stanzaic, written in any number of sixains.
    • metered or not at the discretion of the poet. (When using it in a sonnet, in deference to the form, iambic pentameter would be my choice.)
    • rhymed, scheme abccba.
My Thanks to Jodi Van Gorder for the wonderful PMO resource.
Scupham sonnet
Peter Scupham likes abccba stanzas. Two of these plus a rhyming couplet make something very like a sonnet. This is not a “proper” sonnet, strictly speaking, but I think of it as a Scupham Sonnet. (This is not a standard name).
Bob NEWMAN
Example Poem
Not to Be Relinquished    (Scupham Sonnet)
Your loveliness and charm have made you sought
by big on campus  types and by most all.
Since every blooming guy’s asked you to dance,
I wondered how I’d ever have a chance.
I’ve secretly been subject to your thrall
if we don’t dance this day has been for naught.
I watched and waited most content, engrossed.
by seeing others shining in your light.
Uplifting, kind response to all you’d meet
I meet you as you return towards your seat.
I mumbled “Hi, we haven’t danced tonight.
“The timing’s right, just two more tunes at most,”
you said, and offered me your arm and hand.
We left together,  just as she had planned.
© Lawrencealot – November 8, 2013
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