Tag Archives: quatrain

Ivorian Sonnet

By | | ,
Comments Off on Ivorian Sonnet

Ivorian Sonnet

This sonnet is the brainchild of the late Ivor Hogg, and at first site just a simple progression of stanzas.

A couplet a. a… a triplet b. c. b… and a quatrain d. e. d. e.

The quintain is the key that links this stanza back to the RHYME of the previous stanzas and the rhyme pattern can be in any order giving it 120 variations. 

Ivorian Sonnet Quintain Variations 1 – 24

a.b.c.d.e.

a.b.c.e.d.

a.b.d.c.e.

a.b.d.e.c.

a.b.e.c.d.

a.b.e.d.c.

a.c.b.d.e.

a.c.b.e.d.

a.c.d.b.e.

a.c.d.e.b.

a.c.e.b.d.

a.c.e.d.b.

a.d.b.c.e.

a.d.b.e.c.

a.d.c.b.e.

a.d.c.e.b.

a.d.e.b.c.

a.d.e.c.b.

a.e.b.c.d.

a.e.b.d.c.

a.e.c.b.d.

a.e.c.d.b.

a.e.d.b.c.

a.e.d.c.b.

Ivorian Sonnet Quintain Variations 25 – 48

b.a.c.d.e.

b.a.c.e.d.

b.a.d.c.e.

b.a.d.e.c.

b.a.e.c.d.

b.a.e.d.c.

b.c.a.d.e.

b.c.a.e.d.

b.c.d.a.e.

b.c.d.e.a.

b.c.e.a.d.

b.c.e.d.a.

b.d.a.c.e.

b.d.a.e.c.

b.d.c.e.a.

b.d.c.a.e.

b.d.e.a.c.

b.d.e.c.a.

b.e.a.c.d.

b.e.a.d.c.

b.e.c.a.d.

b.e.c.d.a.

b.e.d.a.c.

b.e.d.c.a.

Ivorian Sonnet Quintain Variations 48 – 72

c.a.b.d.e.

c.a.b.e.d.

c.a.d.b.e.

c.a.d.e.b.

c.a.e.b.d.

c.a.e.d.b.

c.b.a.d.e.

c.b.a.e.d.

c.b.d.a.e.

c.b.d.e.a.

c.b.e.a.d.

c.d.e.d.a.

c.d.a.b.e.

c.d.a.e.b.

c.d.b.a.e.

c.d.b.e.a.

c.d.e.a.b.

c.d.e.b.a.

c.e.a.b.d.

c.e.a.d.b.

c.e.b.a.d.

c.e.b.d.a.

c.e.d.a.b.

c.e.d.b.a.

Ivorian Sonnet Quintain Variations 73 – 96

d.a.b.c.e.

d.a.b.e.c.

d.a.c.b.e.

d.a.c.e.b.

d.a.e.b.c.

d.a.e.c.b.

d.b.a.c.e.

d.b.a.e.c.

d.b.c.a.e.

d.b.c.e.a.

d.b.e.a.c.

d.b.e.c.a.

d.c.a.b.e.

d.c.a.e.b.

d.c.b.a.e.

d.c.b.e.a.

d.c.e.a.b.

d.c.e.b.a.

d.e.a.b.c.

d.e.a.c.b.

d.e.b.a.c.

d.e.b.c.a.

d.e.c.a.b.

d.e.c.b.a

Ivorian Sonnet Quintain Variations 97 – 120

e.a.b.c.d.

e.a.b.d.c.

e.a.c.b.d.

e.a.c.d.b.

e.a.d.b.c.

e.a.d.c.b.

e.b.a.c.d.

e.b.a.d.c.

e.b.c.a.d.

a.b.c.d.a.

e.b.d.a.c.

e.b.d.c.a.

e.c.a.b.d.

e.c.a.d.b.

e.c.b.a.d.

e.c.b.d.a.

e.c.d.a.b.

e.c.d.b.a.

e.d.a.b.c.

e.d.a.c.b.

e.d.b.a.c.

e.d.b.c.a.

e.d.c.a.b.

e.d.c.b.a.

Sonnet’s Journey – Ivorian Sonnet XXXV

My pen that writes the words of many things 

Yet everything stops to hear the love that sings 

No matter where a poet sits each night 

her thoughts return to stay beside you dear 

A sonnet’s journey is to touch love’s light 

A missive signed and sealed by poets’s lips 

that form a kiss to gently ease the ache 

our senses wound in cherished reels and strips 

and there in words we speak the love we make 

Each night as love letters begin their flight 

I lose the dreaded sense of loss and fear 

that often lead my tender heart to break 

Each soothing word of ink so softly springs 

To resonate again upon your lips.

Jem Farmer

Pasted from http://thepoetsgarret.com/2013Challenge/form08.html

http://www.thepoetsgarret.com/

My thanks to Jem Farmer of thepoetsgarret.

My example

Discharged (Ivorian Sonnet)

He seemed an old man children might demean.
He wore a shaggy coat, but it was clean.
The wars he fought in made fortunes for some,
and analysts think little else was good.
It savaged his soul and left him a bum.
He returned to be spit upon, and worse.
He’d picked up habits which had helped him cope
but now it plagued him with a social curse
and mockery deprived this man of hope.
A brother soldier helped him get off dope
and now he hopes his fortunes to reverse,
he’d consul other veterans if he could
He’s overcome the thought that he’s just scum
He wears a shabby coat, but now it’s clean.

© Lawrencealot – March 11, 2015

Visual Template for Ivorian Sonnet type 120

Ivorian Sonnet

Transitive Sonnet

By | | ,
Comments Off on Transitive Sonnet

This is a sonnet form created by Larry Eberhart, aka Lawrencealot
which has its roots the non-sonnet form Monometric.

It is a chameleon type sonnet, because it CANNOT be identified by looking at its apparent rhyme scheme.

It is Stanzaic with couplets and tercets enveloping a quatrain
Meter is of the poet’s choice
Line length is 8 to 13 syllables (accommodating feminine rhyme)
Recommended: Iambic  tetrameter or pentameter
Rhyme scheme: aa bbb cccc bbb aa

The sonnet takes its name from the fact that the second occurrence of rhyme set may have its true rhyme sound changed by the use of any device such as slant rhyme (heart, star or milk, walk),assonance, consonance,  eye rhyme (date, temperate), or heteronyms.

Note: such rhymes may be used anytime or never.   Transition is NOT required, only ALLOWED.

Example Poem

Child

I’m saving treasures in a dresser drawer:
a diaper pin, the little shoes you wore
with jingles in the laces, a barrette
still clasping strands of wispy hair. They whet
my hankering for things I can’t forget.

Before our paths converged, I held a view
of easy, unobstructed passage through
the challenges of motherhood. I knew
exactly what to do at twenty-two.

But that was long before my stumbling feet
were pressed into the coals, the searing heat
of constant battle forcing my retreat.
And though you’ve plunged my heart into despair
a thousand nights, I can’t forget to care.

 
(c) Mary Sullivan Boren  – March, 2013
 
Visual Template
 
 

Wyatt/Surrey Sonnet

By | | ,
Comments Off on Wyatt/Surrey Sonnet

Although the sonnet began in Italy in the 13th century, Thomas Wyatt 1503-1542, was one of the first English poets to translate and utilize the form. He used thePetrarchan octave but introduced a rhyming couplet at the end of the sestet. His friend the Earl of Surrey also initiated more rhyme.

The Italian form was restricted to 5 rhymes. After Wyatt and Surrey the sonnet could have 7 rhymes. They also shifted the sonnet away from the slightly more intellectual and argumentative Petrarchan form, and gave new importance to the ending, declamatory couplet. This Wyatt/Surrey adaptation of the sonnet has not been officially named, at least I haven’t found an assigned designation yet. So for the sake of identification I call it the Wyatt/Surrey Sonnet.

The defining features of the Wyatt/Surrey sonnet are:
a quatorzain, written with a Petrarchan octave followed by an envelope quatrain ending with a rhyming couplet.
metric, primarily iambic pentameter.
the rhyme scheme is abbaabba cddc ee.
it is composed with the volta (non physical gap) or pivot (a shifting or tilting of the main line of thought) sometime after the 2nd quatrain.
distinguished by the declamatory couplet.

Pasted from <http://www.poetrymagnumopus.com/index.php?showtopic=1045>

Example poem:

Sentient Sonnet (Wyatt/Surrey Sonnet)

The Petrarchan form stood intellectually
rigid for two hundred years, then it stretched.
Now five rhymes seemed not quite enough, so fetched
a couple more, yawned then moved experientially
away from arguments intolerably
constricted, to a poetry that etched
the notions, bards awaited, hands out-stretched-
to write a lighter sonnet, more flexibly.

For English writing folks this ushered in
the beginning of what has never stopped.
Traditionalists chins had surely dropped.
The morphing form was changing from within.

The purists arch their brows and speak disdain,
But sonnets have transformed and will again.

© Larry Eberhart, aka Lawrencealot, Oct 12, 2012

Visual template:

 

Wordsworth Sonnet

By | | ,
Comments Off on Wordsworth Sonnet

The defining features of the Wordsworth Sonnet are:
A quatorzain consisting of: octet  + quatrain + couplet
metered, iambic pentameter.
rhymed abbaacca dede ff.
it is composed with the pivot or volta in the very last line.

Wordsworth embraced the Miltonic sonnet, but changed the second quatrain rhyme scheme to compensate for fewer rhyming opportunities in the English language.

Example poem:

Tell Me of Your Anger in Whispers (Wordsworth Sonnet)

Should you be moved to speak in anger, dear,
I ask that first you test your words alone.
If anger stems from blunder of my own
You’ll want to be assured your meaning’s clear.
Harsh words once thrown will travel like a spear.
Is it essential now that blame be found;
will such proceed toward a common ground?
The thoughts that form those words might disappear.

If anger stems from blunders of my own
There’s nothing risked delaying words that grate.
I’ll be contrite as in the past I’ve shown
so wait, my love for anger to abate.

My love, use whispers closely late tonight.
And, loving you, I will make it right.

(c) Lawrencealot – May 1, 2012




Tirrell Sonnet

By | | ,
Comments Off on Tirrell Sonnet

Tirrell Sonnet was invented by R.L. Leonard, aka Tirrell

A quatrazain of two couplets enveloping two tercets enveloping a quatrain.
Meter and voltra are at the poet’s discretion.

Rhyme Scheme: A1A2 bcb cddc bcb A2A1

Write a Tirrellet Sonnet

This line demands your very, very best.
These words encompass and corral the rest.

Like onion layers one upon the next
the couplets backed up by the tercet pair
are cover for the most important text.

It may not be a rhyme that rings most rare,
it’s just the core of what’s a Tirrellet.
a brand new form that A.P. won’t forget,
invented here for poets everywhere.

An autologic poem just reflects
the manner followed to the end; we’re there
now, when we gets the first two lines annexed

These words encompass and corral the rest.
This line demands your very, very best.

© Larry Eberhart, aka, Lawrencealot Oct. 15, 2012

Tory Hexatet Sonnet

By | | ,
Comments Off on Tory Hexatet Sonnet

This is a sonnet form created byVictoria Sutton aka PassionsPromise
and name by Larry Eberhart, aka Lawrencealot

Octet + couplet + quatrain
ababcdcd ee ffgg 
first eight lines, 12 syllables,
couplet- eight syllables-
last four lines, 12 syllables
14 lines total, rhyme scheme and syllable count showed above.
the couplet, being the “changing point” -makes a direct statement and
could be read by itself-
ex.  when the mind becomes a tight rope
heartfelt dreams fall from lack of hope.
Turning point is optional.

Example poems:

Just Makin’ Hay

Three guys wouldn’t touch me until I turned eight-teen.
Although my virgin license long ago expired.
The young bucks were delighted with a teeny queen.
The mature men I seek deem legal age required.
Yesterday, I told the young pups to all get lost.
They can find another or handle it by hand.
I’m only doing men now who can bear the cost.
With my young age and figure, much I can command.

“Do while time bides your very whim.
Shine.  Don’t put your life-lights on dim.”

I figure five years dishing sex and lust and praise.
will adequately prepare me for courting days.
I’ll write, and go to school and date without tensions
that I’m confronting as youth with my dimensions.

This is a Parody of Just Another Day
by PassionsPromise

I have copied the poem below for you convenience

Just Another Day

Thanks to those who remembered June 16, the day
I was born in Ft. Hood Texas, for all to see.
This life, one hell of a journey, burning away
all that was held close to the heart and soul of me.
Yesterday, I watched the day roll by, many tears
shed as faces without distinction waved their hand.
There were no birthday candles, no white cake, just fears
who is who and what is what, a heavy demand
“when the mind becomes a tight rope
heartfelt dreams fall from lack of hope…”
Just wishing the stars carried more power and praise
to strengthen this worn woman through demanding days.
Yet, one more year has come and gone, you remembered
the love of Tory before life had her dismembered.

ababcdcdeeffgg

Visual Template

Rosarian Sonnet

By | | ,
Comments Off on Rosarian Sonnet

Quatorzain Generally  Iambic Pentamter
Volta at or following line 9
Quintet + quintet +  quatrain
Rhyme scheme:  aabcc ddbee fggf
This is a form invented by Jose Rizal M. Reyes of the Philippines

Example Poem:

Momma’s Meals    (Rosarian Sonnet)

The frying pan so old and black awaits
ingredients arrayed on several plates.
The bottom boasts a pool of olive oil
One plate has bit-sized chunks of beef on hold;
already seasoned, so I have been told.

Sliced peppers on the next plate can be seen,
It’s a riot: yellow, orange, red, and green!
The white rice in a pot begins to boil
as beef and onion pieces start to fry.
The savory aroma brings a sigh.

When peppers are  then added to the mix
and momma stirs the pan too big to lift
the colors and the odors are a gift
that no one better than my mom can fix.

© Lawrencealot – November 1, 2012
Edited November 19, 2010

Visual Template:

Rainis Sonnet

By | | ,
Comments Off on Rainis Sonnet

Rainis Sonnet is a short meditation. Whether or not it is a true sonnet is up for debate. It is a lyrical meditation with a turn or volta, however it is shorter than the usual quatorzain of the sonnet. It is named for the Latvian philosopher and poet Janis Rainis (1868-1929) Rainis Sonnet is: • written in 9 lines made up of a quatrain, followed by a tercet ending with a couplet. • metered, primarily iambic pentameter. • rhymed, turned on only 3 rhymes. Rhyme scheme abab (cbc or cac) and (aa or bb or cc). abab cbc aa abab cbc bb abab cbc cc abab cac aa abab cac bb abab cac cc abab cac aa

written with the epiphany arriving in the tercet.
Example Poem:
Tell Me of Your Anger in Whispers (Rainis  Sonnet)
Should you be moved to speak in anger, dear,
I ask that first you test your words alone.
You’ll want to be assured your meaning’s clear.
If anger stems from blunder of my own
There’s nothing risked delaying words that grate.
Then speak in dulcet soft and husky tone.
I’ll listen, think, and I’ll appreciate.
My love, use whispers closely late tonight.
I love you dearly, I will make it right.
© Larry Eberhart, aka, Lawrencealot,  Oct. 11, 2012
 
  Visual template:
 
 

Curtailed Sonnet

By | | ,
Comments Off on Curtailed Sonnet

Some would argue as to whether it is a true sonnet, but I consider it to be just as valid as any other sonnet form. The Curtal is a curtailed or contracted sonnet, referring specifically to a sonnet comprising of a sestet with a rhyme scheme of a. b. c. a. b. c. and a quintet rhyming, d. c. b. d. c.. or.. d. b. c. d. c.with the last line preferably a spondee, but at least a tail shorter then the previous lines.

The form was devised by Gerard Manley who devised a metrical system known as Sprung rhythm; that has 1-to-4-syllable feet, each starting with a stressed syllable (sometimes a foot by itself), where the spondee replaces the iamb as the dominant measure, and rests and multiple non-stressed syllables discounted in scansion. –

Curtal or Curtailed Sonnet is a Petrarchan Sonnet which is proportionately ¾ in size. It is a 19th century innovation by English poet Gerard Anthony Hopkinswho prefaced his publication Poems (1918) with an explanation of the verse form which he used in 3 of his sonnets.

Well it is controversial whether the Curtailed Sonnet is indeed a real sonnet, but I am going to give the inventor, who was very serious about it being exactly a 3/4 size sonnet the benefit of the doubt.

An abbreviated sonnet in eleven lines that are arranged in two stanzas. The first has rhyme scheme abcabc, and the second is either dbcdc or dcbdc. The very last line is indented and shorter. It is, depending on what expert describes the curtal sonnet, either described as a half-line or a single spondee. Hopkins described it as the former, but usually executed it as the latter. It should have a pivot between the sestet and quintet.

I have found documented and used by poets several various Rhyme Schemes, but ONLY one
for a Ten-Line Poem.  All of them are listed here with reference to the source I used.
They are provided for reference but you can IGNORE them for now.  Using the templates
that follow will let you pick the rhyme pattern a composition time.

I have found published examples of the form written in Iambic Tetrameter.

abcabc dbcdc http://www.poetrybase.info/forms/000/65.shtml
http://www.britannica.com/EBchecked/topic/147147/curtal-sonnet
http://www.thepoetsgarret.com/sonnet/curtal.html

abcabc dcbdc http://www.poetrybase.info/forms/000/65.shtml
http://www.britannica.com/EBchecked/topic/147147/curtal-sonnet
http://www.thepoetsgarret.com/sonnet/curtal.html

aba aba dbcdc  http://academescraps.blogspot.com/2011/05/other-sonnet-forms.html
THE ONLY 10 LINE RHYME SCHEME found
ababa dbcdc    http://academescraps.blogspot.com/2011/05/other-sonnet-forms.html

abcabc defde   http://www.poetrymagnumopus.com/index.php?showtopic=105
This is the only scheme which does not have a rhyme for every line.

I’ve never found a poem other than The Dragonfly Pond by
our own MLou, that purports to be a “tail-less” Curtailed Sonnet, and alas it does NOT follow any of the Rhyme Specifications, but is a wonderful write.  It is Ten lines rather than 11 tail-less.
See it here:
http://allpoetry.com/poem/8810541-The_Dragonfly_Pond___…___…____Curtailed_Sonnet_-by-Mlou

I have found NO write that conforms to the spec, which I summarize below.  So I shall write one of each type.   By the way none of the inventors four poems I found comply either.  Go figure who in the heck later determined the specs?   The original specs I found demanded 10 Lines of Iambic Pentameter and
one line of Iambic Trimeter, and I found NONE that had the original rhyme scheme AND that structure so I wrote the poem that serves as a template.

After much more research, finding all of the rhyme patterns shown, and allowing the final tail to be any number of syllables, I found several poems.

Still there is NO poem for a Ten Line poem that meets the rhyming specs I found, except the one used here for the Tail-less template.

Sample poems:

Write a Tail-less Curtailed Sonnet

A curtailed sonnet deemed by some to be
A farce, pretending sonnet status though
it fails to have the weight we want to see.
A curtailed sonnet less its tail I know
this one inscribed at this place now by me
can claim to be the only one extant
with rhyme prescribed as advertised, although
our Mlou penned a gem with differn’t rhyme.
If you find me one I shall sure recant,
Or otherwise this is it at this time.

(c) Lawrencealot – Octobr 1, 2012

Write a Curtailed Sonnet

A curtailed sonnet deemed by some to be
A farce, pretending sonnet status though
it fails to have the weight a sonnet needs.
A search will find conflicting specs, and we
must struggle now the truth to rightly show.
For no existing write I’ve found succeeds
if needed trimeter caudate you add.
The rhyming scheme must change of course you know.
“dbcdc” now is what this needs.
This lacks imagery but is still not bad
the way the poem reads.
.
(c) Lawrencealot – Octobr 1, 2012

Visual Template with the many rhyme patterns snown:

abcabc defde
abcabc dcbdc
abcabc dbcdc
aba aba dbcdc
ababa dbcdc

the top for is for the 11 line taile sonnet