Pathways for the Poet by Viola Berg (1977) is a book for and by educators. Classic poetic forms as well as many invented forms which appear to have been invented as teaching tools or exercizes for use in workshops or classrooms are included. Some of these invented forms I have found in use in internet poetry communities, a testament to their staying power. On this page I include the metric invented forms found there in which appear to be exclusive to the community of educators from whom Ms. Berg drew her support. I have yet to find these in any other source… Whether classroom exercise or sharpening your skill as a writer, some of these forms can be fun to play with.
• The Tulip is an invented verse form, a tetrastich with a combination of metric patterns. It was introduced by Viola Gardener.
The Tulip is: ○ a tetrastich, a poem in 4 lines. ○ metric, L1 & L3 are iambic pentameter, L2 i dimeter, a spondee followed by an amphibrach and L4 is dimeter, an iamb followed by an amphibrach. ○ rhymed abab. ○ because of the amphibrach foot at the end of L2 & L4 they have feminine endings. Starbucks by Judi Van Gorder
The price of java going up and up Good God! Horrendous! The cost of coffee is four bucks a cup. The line, tremendous!
Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=1199#dionol My thanks to Judi Van Gorder for years of work on this fine PMO resource.
Another Birthday (Tulip)
I hope you’re happy, laughing and content. Hail! Years are mounting. It’s more important how your day is spent than annual counting.
Amaranth is an invented verse form that was probably created as a teaching tool by Viola Gardner. It makes deliberate use of the 9 most common metric feet. Each line is one metric foot, the pattern changing from line to line.
The Amaranth is:
9 lines strophe. It is a stand alone poem.
metric, the 9 most common metric feet are used in sequence.
L1 Spondee SS
L2 Iamb uS
L3 Pyrrhic uu
L4 Dactyl Suu
L5 Trochee Su
L6 Amphimacer SuS
L7 Choriamb SuuS
L8 Anapest uuS
L9 Amphibrach uSu
rhymed at the discretion of the poet, although the metric restrictions are probably enough to contend with in this verse form.On the Cross by Judi Van GorderBehold!
Tempo Composto means “time’s up” in Latin.
A form invented by L. Allen Bacon, aka Allen a Dale of Allpoetry.
The first three stanzas of a “tempo composto” are made up of
1) A Spondee (DA-DA)
2) two lines of Dactyl (DA-da-da)
3) 12 syllables free verse.
The fourth stanza differs in that the final line is only
4 syllables of free verse.
The rhyme pattern is
Looks good centered, but that is not a requirement.
Ride in the Country
For sale sign draws me in to find they have just corn.
Day is shot.
I have got
no lemonade. Drive on looking for the next stand.
Still I pass
stations looking for fruit stand, then run out of gas.