Seven-Eleven Couplet Rhyme

Seven-Eleven, the defining features are:
• stanzaic, any number of couplets.
• syllabic, mixed or irregular 7 and 11 syllabic line. 7-7 7-11 11-11 11-7 etc or 7-11 7-7 11-7 11-7 11-11 or whatever combination at the discretion of the poet. (although L6 and if there is a L11 are always 11 syllables.)
• rhymed, consonant-full rhyme

Pasted from Poetry Magnum Opus, with thanks to Judi Van Gorder for years of work on this fine PMO resource.

My Example

Form: Seven-Eleven Couplet Rhyme

Sleepwork

Now, I put myself to bed
couplets kicking in my head.

Tried to think during the day;
things to do got in my way.

Sleep connects me to a tool.
It is a universal consciousness pool.

Every thought of every man
exists out there and you can

with a little bit of luck,
tune to Robert Frost or Buk

Can’t promise you’ll connect, but I think you will.
Assembling those thoughts take skill.

© Lawrencealot – January 23, 2015

Serena

• Serena has 2 definitions:
○ Serena(Occitan-serene song) is a song of the troubadours that appeared late in Provencal lyrical poetry and is the counterpart of the Alba. It builds around the theme of waiting for nightfall. Specifically a lover waiting to consummate his love, such circumstance would not communicate “serene” to me. The frame is at the discretion of the poet.
○ The Serena is also a modern day invented form created by Edith Thompson and found in Pathway for the Poet by Viola Berg. It uses head and tail rhyme.

The invented Serena from Pathways … is:
§ a poem in 11 lines.
§ syllabic, L1,L9,L11 are 4 syllables each. L2 & L10 are 3 syllables each and L3 thru L8 are 7 sylables each.
§ head and tail rhymed, the head rhyme is AAbbccddAAx and the tail rhyme is ABcxccddABb, x being unrhymed.
§ composed with a refrain, L1 & L2 are repeated as L9 & L10.

Pasted from Poetry Magnum Opus, with thanks to Judi Van Gorder for years of work on this fine PMO resource.

My effort here will deal with the specific invented form.

My Example

Form: Serena

What’s the Doubt About

Rhyme is sublime
I’m assured,
heard as accent to a beat.
Word is that excess is not
neat; it ought be a discrete
treat or aim may meet defeat.
Bawdy rhyme one might applaud,
flawed or not so help me God.
Rhyme is sublime
I’m assured.
The truth’s obscured.

© Lawrencealot – January 22, 2015

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Senryu

Senryu is a Japanese syllabic verse that deals primarily with human nature and is often expressed through humor. It developed in the 18th century and is named after Karai Senryu who was a judge of comic verse contests. They were originally poems of the merchant class and often made fun of corrupt officials and professionals.

The official’s child—
How well he learns to open
and close his fist!
———- —anonymous

The focus of the modern Senryu can be just about anything as long as it has a human or humorous slant. Senryus are lively, often humorous and sometimes even vulgar.
The main characteristics of the Senryu are energy or liveliness in the focus and choice of words, humor as revealed in human nature and use of subjects such as relationships, family, professions, children and pets. It is written in the same frame as the haiku, 17 syllables or less, 2 units of imagary and 1 unit of enlightenment.

So if you are wondering if a 3 line, 17 syllable poem is Haiku or Senryu, you can pretty much place the serious poem in the Haiku column and the more human, humorous poems as the Senryu. (but there are humorous Haiku and serious Senryu, go figure..)

The Senryu is:
• a poem in 3 lines or less.
• syllabic, 17 syllables or less.
• commonly written in 3 lines but can be written in 2 lines and can be written with fewer syllables, never more.
○ L1 5 syllables describes image.
○ L2 7 syllables, adds conflicting image or expands first image
○ L3 5 syllables provides insight (the ah ha! moment)through a juxtaposed image.
• written as a natural human experience in language that is simple, humorous, sometimes bawdy or vulgar.
• presented with an energy or liveliness in the focus and choice of words
• often humorous
• written in the moment.
• an imagist poem (draws the humor from the image)
• untitled but can be #ed.

Some of my own senryu: —Judi Van Gorder

small child ignores call,
parent warns and begins count,
“Daddy, don’t say fwee.”

some roads meander
others flat out ask for speed
don’t forget your map

fire ignites within
flame mushrooms to the surface
autumn days

pelican’s head bobs
beak bulging with trigger fish,
shore’s stand-up comic

Pasted from Poetry Magnum Opus, with thanks to Judi Van Gorder for years of work on this fine PMO resource

My Example

Form: Senryu

dumpster diver digs
begs for change upon the street
lives a tax-free life

(c) Lawrencealot

Séadna Mheadhanach

Séadna mheadhanach is:
○ the same as the Séadna.
○ except the 1st and 3rd lines of the quatrain are 3 syllable words and the 2nd and 4th lines are 2 syllable words.

x x x x x (x x a)
x a x x x (x b)
x x x b x (x x c)
x b x c x (x b)

Syllabic Silliness
by Judi Van Gorder

When writing verse be attendant,
confidant in the stillness
with syllable count dependant,
drill and chant shunning shrillness.

Pasted from Poetry Magnum Opus, with thanks to Judi Van Gorder for years of work on this fine PMO resource.


My Example

Form: Séadna Mheadhanach

2nd Childhood

Observe how gramps does emulate
what kids create in youthful
wonder at almost everything.
He thinks that time is fruitful.
That youth he’d yearn to peculate
this late in lifetime’s reserve
because there’s something wonderful
in whatever they observe.

© Lawrencealot – January 21, 2015

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Cueca Chilena


There seems to be not much around about this form, which I discovered many moons ago and made a quick note of.  I will transcribe from my notes as I’ve found not one jot about it online.  Cueca is also the national dance of Chile, although sometimes it is accompanied by song.  My knowledge of Spanish doesn’t stretch to commenting on whether the National folk songs follow this form.  The only poets I know from Chile are Neruda – who if he wrote a Cueca I don’t know it –  and Nicanor Parra whose work is all about colloquial and informal arrangements so I can guarantee it isn’t a style for him.  Still the ‘yes’ in the fifth line kind of makes it feel colloquial to me.  When I’ve used this form I’ve written it quite relaxed.  I enjoy the short lines, the unconventional rhythm.

So, the poem my notes allude to is created thus: 8 lines long, with multiple stanzas (verses).  the fifth line is a repeat of the fourth line with the addition of the word ‘yes’ at the beginning.   It’s influenced by the Spanish Seguidilla poem which will come at some stage in the project.  The rhyme goes A-B-C-B-B-D-E-D where each letter represents a certain rhyming sound at the end of a line, and the repeated letter shows where the next rhyme comes.

Remember you can continue for as many stanzas as you please.

Example

I spent New Year’s Eve with singing boys
Three nights before we parted
Shouting rebel songs to Belfast’s streets
And you were so light hearted
yes, and you were so light hearted –
Whilst I felt terribly abandoned
In someone’s kitchen making tea
As the New-Years sky slowly brightened.

Pasted from https://poetryform.wordpress.com/ with thanks.

Specifications restated (as deduced.)
The Cueca Chilena is:
Origin: Chile, known primarily as a dance.
Stanzaic, consisting of any number of 8 line stanzas.
Syllabic: 9/7/9/7/8/9/9/9
Rhymed: Rhyme pattern: abcBBded
Refrained: The 4th line, which should be end stopped is repeated in line 5.
Formulaic: The word, “yes” is inserted as the first word in line 5.

My Example
(Form: Cueca Chilena)
The Girl in the Cape

The Girl in the Cape

As symbol of love – how bright our moon,
yet that’s from reflected light.
More like the sun, you are radiant —
from within springs your delight.
Yes, from within springs your delight.
No cosmetics need you ever wear.
Your natural light would amplify
the beauty of flowers in your hair.

© Lawrencealot – January 21, 2015

Visual Template
Cueca Chilena

Séadna Mòr

Séadna (shay’-na) is Gaelic for passage.The Séadnas are dan direach or direct meter forms which alternate syllable count from line to line. They are Celtic or ancient Irish Verse Forms, written with cywddydd (harmony of sound) and dunadh (ending the poem with the same word, phrase or line with which the poem began). Séadna (named for its main character.) is also an old Irish folktale by Peadar Ó Laoghaire (1839-1920), published in 1904 which is a favorite for beginning readers of Gaelic and is not written in verse.

• Séadna Mòr (shay’-na mor) stanza is:
○ the same as Séadna.
○ except L2 and L4 end in three-syllable words instead of monosyllable words.
x x x x x x (x a)
x a x x (x x b)
x x x b x x (x c)
x b x c (x x b)

And The Winners are . . . by Barbara Hartman

Cliff-swallows careen in between
twin pillars of portico.
Flights ferry mud balls for cement
— birds’ descent blights bungalow.

Gourd-shaped nests sprout out from stucco,
constant chatter — tremolo.
Smears and splatters on walls defy
hose. “Please don’t,” cry cliff-swallows

Pasted from http://www.poetrymagnumopus.com/index.php?showtopic=1168#mheadhanach
My thanks to Judi Van Gorder for years of work on this fine PMO resource.

Specifications restated:
Séadna Mòr (shay’-na mor) stanza is:
written in any number of quatrains.
syllabic 8-7-8-7.
written with L1 and L3, 2 syllable end words; L2 and L4, 3 syllable end words.
rhymed. L2 and L4 end rhyme, L3 rhymes with the stressed word preceding the final word of L4.
composed with alliteration in each line, the final word of L4 alliterating with the preceding stressed word.
The final syllable of L1 alliterates with the first stressed word of L2.

My example

No Sale Buk (Forn: Séadna Mòr )

Inflated by boldness assumed,
and consumed and debated
by some sycophants who perceived,
perhaps wise wit created.

Overrated, you have stated,
Yes I still sit unsated.
His sad self-promotion fizzled
and found him not inflated.

© Lawrencealot – January 19, 2015

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Seadna Mor

Egg Timer

This form was apparently invented by Dorian Peterson Potter.
All the poems I found were written by her, and although you can see some variance below the following seem to be the specifications.

The Egg Timer is:
A decastich (10 line poem)
Syllabic 5/4/3/2/1/1/2/3/4/5
Unrhymed
Formulaic: The last five lines are the mirror image of the first five line.
Centered or not, at poets discretion.

 

~Spring~

(Egg Timer)

Spring arrived just sprung

Hear birds singing

Butterflies

Ladybugs

See

See

Ladybugs

Butterflies

Hear birds singing

Spring arrived just sprung

Grass is growing tall

Need to trim it

Rid of weed

Keep green

Nice

Nice

Keep green

Rid of weed

Need to trim it

Grass is growing tall.

Dorian Petersen Potter

aka ladydp2000

copyright@2014

Learning (Egg Timer)
Learning is great fun
Just learn each day
Something new
You can
Yes
Yes
You can
Something new
Just learn each day
Learning is great fun
Right under the sun
In the moonlight
You can have
New goals
Dreams
Dreams
New goals
You can have
In the moonlight
Right under the sun.
Dorian Petersen Potter
aka ladydp2000
copyright@2011

Time And More Time (Egg Timer)

From this recover

Need time to heal

Stand my ground

I’ll be

Strong

Strong

I’ll be

Stand my ground

Need time to heal

From this recover

March 7,2014

Pasted from http://www.poemhunter.com/poem/time-and-more-time-egg-timer/

See also Trick Poetry.

My example

Failing Frequently (Form: Egg Timer)

I alliterate
when I’m able.
I cannot
sometimes
though.
Though
sometimes
I cannot,
when I’m able
I alliterate.

© Lawrencealot – January 19, 2015

Rick's 32

Ricks 32: Created by Erich J. Goller.
8 lines Rhymes or unrhymed.
Two or more stanzas. Any subject.
Syllable Count: 3-4-3-6-6-3-4-3.

Speculations

3 After dream
4 a bad nightmare
3 terrified.
6 in unbearable stretch
6 of a parallel life?
3 Life spark in
4 consensual
3 space/time place?
3 I wonder
4 will I ever
3 extinguish
6 sentience, endless lives?
6 travel through dimensions?
3 multiverse?
4 any respite?
3 wake with joy?

http://www.rainbowcommunications.org/velvet/forms/
My Thanks to Linda Varsell Smith for her contributions above.

Specifications restated:
Rick’s 32 is:
Stanzaic, consisting of 2 or more stanzas,
Syllabic: 3/4/3/6/6/3/4/3
Rhyme is optional
Presentation is optional, centered or not.

My example

Captive (Form: Rick’s 32)

Disregard
all of the rules
consider
only your own desires.
Pity those silly fools
anguishing
in church classes
and in schools.

Methamphet 
produces highs,
contentment’s
almost guaranteed. You’ll
feel that you’re a winner.
You’ll lose teeth,
and yes indeed,
be thinner.

No one else
can pull your strings.
Your lover’s
perfect; he enables
until he see the cost.
If he balks
he knows certain,
your love’s lost.

© Lawrencealot – January 17, 2015

Rhymethor

Rhymethor: Title: 6 syllables.
3 rhyming quatrain stanza of 6 syllables
Rhyme scheme: a-a–bb, c-c-d-d, b-b-a-a (an inverted stanza of 1st stanza)
Concluding line of 12 syllables representing total number of lines.
Display centered

Our Runaway Cosmos

Dark energy, dark matter
bright stars–just a smatter
Universe expanding
beyond understanding

Other multiverses
dimensions reverses
concepts we once held true
now a new point of view.

Beyond understanding
universe expanding
bright stars– just a smatter
dark energy, dark matter

So little light. So much dark. All sparkles and darkles.

http://www.rainbowcommunications.org/velvet/forms/
My Thanks to Linda Varsell Smith for her contributions above.

My example

Don’t Mock Any of Those Gods (Form: Rhymethor)

In case my words aren’t clear
there’s repetition here.
There’ve been gods by the bunch
by vision, plan and hunch.

I need no fables wrought
from whole cloth and then taught
to children who believe 
most all that they receive.

By vision, plan and hunch
there’ve been gods by the bunch
there’s repetition here
in case my words aren’t clear.

It works. A god’s an extra step. I’ll still be good.

© Lawrencealot – January 13, 2015

Restated specifications
A Ryhmethor is:
A 13 line titled poem
Stanazaic: Consisting of three quatrains plus a single line.
Syllabic: 6/6/6/6/ 6/6/6/6 6/6/6/6 12
Rhymed: AABB ccdd BBAA x,
Refrained: Where the final quatrain is the inverse of the first quatrain.
Displayed centered on page

Visual template

Rhymethor

Retrac

Retrac: 12 lines. Syllable Counts: 2-3-4-6-8-10-10-8-6-4-3-2
Rhyme Scheme: a-a-b-b-c-c-c-c-b-b-a-a.  Carter spelled backwards.

Stargazing

Starlight
shines so bright
cosmic display
so many miles away.
So many types of stars to learn.
Incredible temperatures that burn
orbiting rapidly, black holes to spurn
Many of my wishes yet to yearn.
A multi-colored splay
awesome array
of night light.
Delight.

http://www.rainbowcommunications.org/velvet/forms/
My Thanks to Linda Varsell Smith for her contributions above.

My example

They Called Me Deely  (Form: Retrac)

Some names
are nicknames
that you have earned.
Some endear, some are spurned.
Deely was my place-holder word
for things I met, of which I’d never heard.
“What’s that deely for?” didn’t sound absurd,
friends knew to what I had referred
thus I was unconcerned
my word was learned
it became
my name.

© Lawrencealot – January 14, 2015