The Swinburne

      • The Swinburne is a stanzaic form patterned after Before the Mirror by Algernon Charles Swinburne (1837-1909).The Swinburne is:
        • stanzaic, written in any number of septets.
        • metric, L1,L3,L5, & L6 are trimeter, L2 & L4 are dimeter, and L7 is pentameter.
        • rhymed ababccb dedeffe etc, L1 & L3 have feminine or falling rhyme.
This named form was documented by Judi Van Gorder, on her most wonderful resource site: Poetry Manum Opus, in a section about poetry form named after English poets.
Note: In addition to the specifications above, it is also required that the sixth syllable in Line 7 rhyme with lines 5 and 6.

Before the Mirror
I.
WHITE ROSE in red rose-garden
Is not so white;
Snowdrops that plead for pardon
And pine for fright
Because the hard East blows
Over their maiden rows
Grow not as this face grows from pale to bright.
Behind the veil, forbidden,
Shut up from sight,
Love, is there sorrow hidden,
Is there delight?
Is joy thy dower or grief,
White rose of weary leaf,
Late rose whose life is brief, whose loves are light?
Soft snows that hard winds harden
Till each flake bite
Fill all the flowerless garden
Whose flowers took flight
Long since when summer ceased,
And men rose up from feast,
And warm west wind grew east, and warm day night.
II.
“Come snow, come wind or thunder
High up in air,
I watch my face, and wonder
At my bright hair;
Nought else exalts or grieves
The rose at heart, that heaves
With love of her own leaves and lips that pair.
“She knows not loves that kissed her
She knows not where.
Art thou the ghost, my sister,
White sister there,
Am I the ghost, who knows?
My hand, a fallen rose,
Lies snow-white on white snows, and takes no care.
“I cannot see what pleasures
Or what pains were;
What pale new loves and treasures
New years will bear;
What beam will fall, what shower,
What grief or joy for dower;
But one thing knows the flower; the flower is fair.”
III.
Glad, but not flushed with gladness,
Since joys go by;
Sad, but not bent with sadness,
Since sorrows die;
Deep in the gleaming glass
She sees all past things pass,
And all sweet life that was lie down and lie.
There glowing ghosts of flowers
Draw down, draw nigh;
And wings of swift spent hours
Take flight and fly;
She sees by formless gleams,
She hears across cold streams,
Dead mouths of many dreams that sing and sigh.
Face fallen and white throat lifted,
With sleepless eye
She sees old loves that drifted,
She knew not why,
Old loves and faded fears
Float down a stream that hears
The flowing of all men’s tears beneath the sky.

Algernon Charles Swinburne
Example poem
Caretaker      (The Swinburne)
When forced to go and going
with all due haste,
you leave already knowing
there must be waste.
I never, as a boy
expected old man’s joy
at seeing an old toy I had misplaced.
The things you leave behind you
are not all done.
They’re simply tasks assigned to
another one.
When your life takes a turn
the habits you adjourn
may tickle Time who spurns a lack of fun.
© Lawrencealot – May 8, 2014

Anaduo

This is an invented form created by Lisa La Grange of Allpoetry.com.
It is Stanzaic, composed of any number of sestets
It is Syllalbic 11/11/8/11/11/8
Meter: All lines are acephalous* anapestic
              The long lines are anapestic tetrameter
              The short lines are anapestic trimeter
Rhyme Scheme:  aabccb
*Acephalous = headless, lacking its first syllable
Example Poem:
Chased by a Cloud     (Anaduo)
Below the horizon, beneath where I stand
the streets of a city lie quilting the land.
It’s there that I work and I live.
I set out today, with no purposeful aim
My nose led my feet; up the mountain I came
for nature has beauty to give.
Just barely, below me the sounds I can hear
of traffic and people who don’t know I’m here.
I view what’s so rarely allowed.
I’ve climbed here before and I’ve stayed overnight
but never been treated to quite such a sight.
I’m proud to be chased by a cloud.
© Lawrencealot – January 30, 2014
Visual Template

Michelle's Quatrain Wrap

This form was created by  Michelle DeLoatch-Barbosa , aka Michelle723 of Allpoety.

 

It consists of four or more quatrains
the first three lines being written in iambic tetrameter
and the last line being written in iambic trimeter.
Of course poets so inclined may substitute trochaic meter.

Rhyme Scheme: aaab cccb dddb … aaab
Example Poem


Tombstone Movie (Michelle’s Quatrain Wrap)

The outlaws had a power base,
controlled the town and usually chased
the law-abiding from the place
and sent them further west.
When Wyatt Earp rode into town
it was to put his own roots down
he’d served as lawman and had found
large measures of success.
He’d brought his wife and brothers too,
all prepared to try something new.
He thought his fighting days were through
He wanted now to rest.
Ike Clanton and an outlaw gang
controlled the town with strum und drang;
the sheriff there weren’t worth a dang.
Here outlaws coalesced.
A marshal’s killed and terror reigns
and brother Virgil takes the reins
then outlaw enmity begins
with their law self-professed.
Doc Holiday is Wyatt’s friend
and to his efforts Doc did lend
his pistol power to defend
a friend he called his best.
When Wyatt met his Josephine
a love at mutual first sight’s seen
she leaves before the showdown scene
and moves to the far west.
An ambush kills or maims his kin
then Wyatt dons a badge again
and vows the outlaws now can’t win,
their deaths pre-empt arrest.
When Holiday beats Ringo Starr
who could have beaten Earp by far
the outlaws are without a star,
their power dispossessed.
Doc gives Wyatt some sound advice:
before with boots off Doc then dies
most entertained by that surprise-
his final thought expressed.
When Wyatt found her, pled his case,
she accepted and they embraced
with love that never was erased,
as Holiday assessed.
© Lawrencealot – September 2, 2013
A/N
Following its cinematic release in 1993, Tombstone was named “One of the 5 greatest Westerns ever made” by True West Magazine.
Visual Template:

Swinburne Octain

This is a refrain poem, the form was one of many un-named forms invented by Algernon Charles Swinburne (1837-1909).

 I  have interpreted the specifications from looking at the work of one of Swinburne’s most dedicated students, AP’s own Eusebius.

 

There are at least TWO significant versions of an octain he created.  This first, presented here is  written in iambic meter, the second  written in trochaic.  The is the first:

 

Rhyming pattern: ABccabAB, where the capital letter indicate verbatim repetition of a line.

The “b” rhymes are all iambic trimeter,  all other lines  are feminine rhymes utilizing footless (or catalectic) iambic tetrameter.

Syllabic:  7/6/7/7/7/6/7/6

 

The first stanza, is repeated as the final stanza of the poem, thus it seems sensible that the minimum poem length should be at least four stanzas.

 

 

The Trochaic version is written with the Rhyming pattern: ababcccb

Syllabic: 9/8/9/8/9/9/9/8

 

The accent is as two trochee feet, an amphibrach and a trochee with all “b” rhymes being catalectic.

Example Poem

 The Tart (Swinburne Octain)

This tart so thin, bewitching,
with beauty, fay and pale.
Her tattoos all parading,
Her ebon curls cascading,
until I am just itching
to see her all in Braille.
This tart so thin, bewitching,
with beauty, fay and pale.

She seems an apparition
both siren myth and tramp,
who sells her pleasures cheaply
to those who want her deeply.
I feel I must audition
to win time with this vamp.
She seems an apparition
both siren myth and tramp,

Her long smooth legs inviting
all who may simply glance.
Though men might once demean her
they’ll dare not come between her
and one she is inviting.
Each man would like his chance.
Her long smooth legs inviting
all who may simply glance.

To me she whispered lightly,
“I’ll show you realms of love.”
Her word were most insightful
Her movements were delightful
I longed to have her nightly
beneath the moon above.
To me she whispered lightly,
“I’ll show you realms of love.”

This tart so thin, bewitching,
with beauty, fay and pale.
Her tattoos all parading,
Her ebon curls cascading,
until I am just itching
to see her all in Braille.
This tart so thin, bewitching,
with beauty, fay and pale. 

© Lawrencealot – June 17, 2013

 

 

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Amphibrach Trimeter

The amphibrach is a trisyllabic metrical foot, which in accentual meter consists of an accented syllable between two unaccented syllables.
Rhyme optional
Isosyllabic 9 syllables
A single octave.  (8 lines)
Example Poem
Bird Watching
Reclining relaxed in the garden
the cat was ignoring my  calling,
indifferently birds kept on chirping,
idyllic conditions for poets.
Amusing deception, cat lazy
and silent just waiting for breakfast.
Indolent or working at trapping
a birdie who thinks that he’s sleeping?
I’ll leave now before I spoil something.
© Lawrencealot – May 5, 2012
Visual Template

Entwined

Entwined Form
This is a form invented by Mary Lou Healy, aka Mlou on Allpoetry.com
The form consists of three or more trimeter quintets, usually in Iambic where the 3rd line of each stanza rhymes with the first line of the following stanza, until the final stanza which rhymes with the first line of the poem.
Rhyme pattern: abcba cdedc efafe
Example Poem
Growth in Scansion
If I can ever learn
well then I’ll try to teach.
But just today I find
my wants exceed my reach,
and yet for more I yearn.
Old knowledge falls behind,
but learning it was key
for now I understand
those things I could not see-
no syllables defined.
The first two stanzas scan
as iambs every one.
an ananapest is wide.
It looks not right when done
in syllables, here man.
Trimeter’s satisfied.
Shoes don’t swap but feet do.
For syllables dactyls have three
and iambs have but two.
Three feet per line I’ve tried.
A template let’s you see
and can be used intact,
learning feet lets you spurn
just counting, that’s a fact-
a skill eluding me.
Visual Template

Entwined